Music by John Williams

His unforgettable scores are an essential part of some of the most beloved movies of our time, over a career that spans decades. See and hear maestro John Williams' own story, with insights from filmmakers, musicians, and others he has inspired, complete with rare behind-the-scenes looks at the making of movie history.

Joan Manuel Serrat - El Vicio de Cantar: 1965-2022 - Madrid, 14-12-2022 en el WiZink Center

mm 49: Vivian Fine Marathon!

"mm"s are m(usic(ian's))m(eetings) mostly held at the Who Unit? in Pittsburgh as a 21st century salon of sorts where formal interests can be broached casually. Attendees delight in sharing their sometimes obscure & sometimes popular musical (& otherwise) loves. For mm 49 (in the 37th month of "mm"'s history) a marathon listening party celebrating the music of Vivian Fine was decided upon. Fine was a dedicated composer who produced a variety of work over a 70 year career. This movie, of course, is not an imitation of Ken Burns style documentary movie-making. Instead, I gleefully mix the casualness & lively uninhibited conversation of mms with the formal exactitude of Fine's music. I hope you enjoy it as an upstanding example of Punk Classical. "Bah to the Bourgeoisie"! Note that I'm starting to disappear in this movie - will you miss me when I'm gone? This is my 111th feature & my 404th movie.

Song of Love

Composer Robert Schumann struggles to compose his symphonies while his loving wife Clara offers her support. Also helping the Schumanns is their lifelong friend, composer Johannes Brahms.

Break of Hearts

Constance, a poor but aspiring composer, meets the great conductor, Franz, through their old music teacher. They fall in love, despite Constance knowing about Franz's weakness for pretty women.

Song Without End

The romantic story of Hungarian pianist Franz Liszt, whose scandalous love affair forced him to abandon his adoring audiences.

tick, tick... BOOM!

On the brink of turning 30, a promising theater composer navigates love, friendship and the pressure to create something great before time runs out.

Tori Amos: Live from New York

On January 23, 1997, Tori Amos gave a sell-out benefit concert at the Felt Forum in New York City to launch "Unlock the Silence", a year-long promotional and fund-raising campaign sponsored by cK Calvin Klein to raise awareness of the extraordinary work undertaken by RAINN, the Rape, Abuse and Incest National Network, a non-profit organization who offer support and counseling to survivors of sexual assault. Tori performs compositions from her three albums, including "Silent All These Years", which appeared on her 1992 debut album "Little Earthquakes" and is the touchstone track for the "Unlock the Silence" campaign.

Planet Malek

Ahmed Malek’s name might have been forgotten by his fellow Algerians but his timeless tunes certainly haven’t. Called the Ennio Morricone of Algiers, he composed music for more than 200 movies, amongst which the most famous films of the Algerian New Wave in the 70s and the 80s can be found. Paloma Colombe, a DJ, digger and documentary director, went to Algiers to meet his daughter, friends and former coworkers. Images of the city by night offer a perfect background to Ahmed Malek’s music. Globetrotter, pioneer of electronic music and of the concept of the home studio, he created a unique sound that truly goes beyond genres and countries.

Frank Zappa: A Token of His Extreme

From "The Dub Room Special": 1.Approximate (3:56) 2.Cosmik Debris (5:14) 3.Room Service (5:58) Not For Broadcast 4.Stinkfoot (5:44) 5.Inca Roads (9:55) 6.Pygmy Twylyte (3:53) 7.Room Service (5:18) Song Selection 8.Dog Meat (4:10) - Dog Breath and Uncle Meat 9.More Trouble Every Day (13:07) 10.Montana (4:50) 11.George Duke Solo (7:40) 12.Florentine Pogen (8:15) 13.Oh No (4:54) 14.Pygmy Twylyte (9:46) 15.Stinkfoot (8:48) 16.Inca Roads (8:41)

Dance of the Seven Veils

Russell’s composer biopics were usually labours of love. This was the opposite: he regarded Strauss’s music as 'bombastic, sham and hollow', and despised the composer for claiming to be apolitical while cosying up to the Nazi regime. Strauss is depicted in a variety of grotesquely caricatured situations: attacked by nuns after adopting Nietzsche’s philosophy, duels with jealous husbands, literally batters his critics into submission with his music, and glorifies the women in his life and fantasies.

Women Composers

When Leipzig pianist Kyra Steckeweh realized that her repertoire almost exclusively consisted of music composed by men, she began searching for pieces written by female composers. Her research in archives, libraries, and publishing houses quickly brought to light a variety of remarkable piano pieces that have been buried in history and rarely performed.

The First Motion of the Immovable

It all begins with a childhood memory: that day when the father of the future filmmaker Sebastiano d'Ayala Valva forces him to listen to certain music that initially terrifies him; a distant echo from the past that leads him to follow the trail of his mysterious ancestor, the Italian composer Giacinto Scelsi (1905-1988), who claimed that his music was directly inspired by the gods.

Santini's Network

Santini's Network is a biographical film by German filmmaker Georg Brintrup on the life of Roman music collector Fortunato Santini and how his famous private assembly of manuscript scores grew into the greatest music collection of the age.

Benjamin Britten: Peace and Conflict

A feature film about Benjamin Britten, released as part of the 100 year celebrations of his birth. Britten is the most performed British composer worldwide. This film premiered at Gresham's School, which he attended, and focuses on how his life-long pacifism influenced his life and music. Written and directed by Tony Britten (In Love With Alama Cogan), narrated by John Hurt and with a superb cast of young people, including many supporting roles taken by students of Gresham's School, the film weaves dramatisation with a documentary narrative.

The Ride to the Abyss

‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.