Birth of Afrobeat

In September of 2017, 77 year old Nigerian drummer Tony Allen was invited to record the album 'What Goes Up' with American band, Chicago Afrobeat Project. During their time together, Allen recounts how he and partner, late music legend, Fela Kuti, created the Afrobeat genre in Lagos, Nigeria. This hybrid live-action/animated film is a snapshot illustrating Tony Allen's story.

Casa da Felicidade

Fela Kuti: Live at Glastonbury 1984

Afrobeat pioneer Fela Kuti performs at the 1984 Glastonbury Festival. Originally produced for Arena.

Azougue Nazareth

No measure of hellfire preaching can quell the boisterous and bawdy passions of Maracatu, an Afro-Brazilian burlesque carnival tradition with roots in slavery that takes place in the northeast state of Pernambuco. As the Falstaffian character Tiao, Valmir do Coco leads a nonprofessional cast of authentic Maracatu practitioners in a tale told through dance, music, and the supernatural, set in the sugarcane fields outside Recife.

Lock Down Love

Lisa, a plus-sized African American woman, concludes that her boyfriend broke up with her because of her weight. Now on quarantine lock down and alone, she will now use the next 40 days to try to lose the weight, in hopes of winning him back.

Awoko 70's

Afrobeat emerged in Lagos, Nigeria in the 1970s. The film follows an Afrobeat tube broadcast, from its early morning studio recording, to selling vinyl records and cassette tapes in town, into the evening where people dance feverishly to the music.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

A Hard Day's Night

Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Mission

American Christian missionary John Chau was murdered when he tried to illegally contact and convert some of the world’s last uncontacted indigenous people. Through exclusive interviews and archival footage of John’s journey, THE MISSION explores themes that strike deep at the heart of religion, colonialism, and anthropology, questioning where we draw the line between faith and fanaticism, exploration and exploitation, imagination and destruction.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

The Music Room

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

Moulin Rouge!

A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.

Leonor. El futuro de la monarquía renovada