War Dance

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

10 + 4 (Dah be alaveh chahar)

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.

Mayan Renaissance

Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.

Masks

The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo

A Mere Breath

Romania. Seven years in the life of a family of believers, struck by the illness of a little girl suffering from spina bifida pass before the camera, with a polluted town scarred by unemployment serving as a background.

Will There Be a Theatre Up There?!

The main character of this documentary is one of Georgia's most popular actors, Kakhi Kavsadze, who walks us through this chronicle of the Kavsadzes, a family of famous Georgian folk singers and actors.

In Complete World

in complete world is a feature-length documentary made up of street interviews done throughout NYC. Mixing political questions (Are we responsible for the government we get?) with more broadly existential ones (Do you feel you have control over your life?), the film centers on the tension between individual and collective responsibility. The film can be seen as a user's manual for citizenship in the 21st century, as well as a glimpse into the opinions and self-perceptions of a diverse group of Americans. It is a testament to the people of NYC in this new millennium, who freely offer up thoughtful, provocative and at times tender revelations to a complete stranger, just because she asked.

After the Rape: The Mukhtar Mai Story

In 2002, a woman from the Pakistani countryside named Mukhtar Mai made world headlines. After the rumour that her 12-year-old brother was having a relationship with a woman from another clan, Mukhtar was gang-raped by order of the village council. Instead of committing suicide, she spoke out and the six men were sentenced to death, although five of them were eventually acquitted. Against all the codes of her society, Mukhtar took her case to the Supreme Court. After the Rape doesn't comment on the outcome of her case. What the film does show is the environment that the assertive Muhktar managed to create in the wake of the incident.

The Story of the Weeping Camel

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Delphine and Carole

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

Rafael Cancel Miranda: I'm Not Sorry for What I Did

Explores the trajectory of the young nationalist from the time of his incarceration, at 23 years of age, as a result of the attack on the United States Congress.

My Love Awaits Me By the Sea

Hasan Hourani, a Palestinian poet and illustrator, died aged 29 in Jaffa while trying to rescue his nephew from the sea. Shortly after, the filmmaker Mais Darwazah discovers his drawings and poems and feels drawn to Hourani's world— a universe outside space and time; a place of wonder, discovery, and freedom. Motivated by this kinship, Darwazah embarks on a journey to her homeland, Palestine: a place she has never known.

Jewel's Catch One

With four strikes against her (black, female, poor and a lesbian), our trailblazer, Jewel Thais-Williams, helped changed laws, save lives and influence communities across Los Angeles, California as she opened her legendary nightclub's door for 42 years.

Women Behind the Camera

Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.

Who We Were

The Hidden Agenda for World Government

From an archived interview originally recorded in 1982, this 1990 production reveals the findings of chief congressional investigator, Director of Research, Norman Dodd, and exposes the scope and purpose of various organizations in the findings of the 1953 Reece Special Committee on Tax Exempt Foundations.