Double Play: James Benning and Richard Linklater

In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

Moi, Magyd Cherfi : portrait intimiste d'un chanteur devenu écrivain

My Invisible Illness

The Invisible Illness is an in-depth study on life with Endometriosis. Endometriosis is a disease where tissue similar to uterine lining grows in other parts of the body causing many issues such as intense pain, fertility complications and organ dysfunction. It isn’t a unique illness. In fact, endo affects one in nine Australian women - and it’s a disease most people have never heard of.

Berhault

Trois frères pour une vie

Together, the three Bertrand brothers work their farm in a small Savoyard village. In 1972, they took the enormous risk to invest in the construction of an ultra modern stable for 82 milk cows. With modern organisation, they hoped to lead a better life. Almost 30 years later, the farm is successful. Their work is meticulous and the milk is graded top quality. The human cost is much more sombre. Indeed these thirty years can be summarised in one word : work. The brothers are bachelors and – each one now over sixty years old – a bitterness when they recall their past. The younger brother says it himself: "It's an economic success, but it's a human failure...".

I See in the Dark

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?

Bruce Willis: Why the Legend Never Dies

An in-depth look at the life and career of Bruce Willis, featuring never-before-seen photos and videos from the Willis family collection. Narrated by Bruce Willis.

Danielle Mitterrand, une certaine idée de la France

Sicko

A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.

Older, Stronger, Wiser

In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.

Le Dernier Voyage de Patrick Edlinger

Camus, l'icône de la révolte

Albert Camus, who died 60 years ago, continues to inspire defenders of freedom and human rights activists around the world today. The Nobel Prize winner for literature is one of the most widely read French-language writers in the world. He continues to embody the rebellious man who opposes all forms of oppression and tyranny while refusing to compromise his human values.

A Cop Movie

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

Marion ou la métamorphose

Marion is an artist with FSH, an incurable muscular myopathy. She guides us on the path she has taken to no longer identify with her illness.

Eighteen fragments from Malcolm Le Grice’s After Leonardo

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

Bruno S. - Die Fremde ist der Tod

A portrait of Bruno S., who became famous as an actor in Werner Herzog's films The Enigma of Kaspar Hauser and Stroszek and was forgotten all too quickly.