The Ability Exchange

A documentary about an innovative Disability Studies class at NYU Tandon School of Engineering where engineering students and adults with cerebral palsy learn to communicate, connect, and cultivate their abilities by making movies.

The Fabulous History of Eau de Cologne

The history of the eau of Cologne goes back to almost four centuries, a history formed by extraordinary myths, family feuds and treacherous acts of commercial plagiarism. Its gradual use is a reflection of the evolution of society and its morality, in relation to body and hygiene, a gesture of intimacy. First perfume of kings, then the most popular fragrance, within reach of all the pockets.

Podium

The Business of Recovery

The Business of Recovery examines the untold billions that are being made off of families in crisis. With little regulation or science, addiction treatment has become a cash cow business that continues to grow while deaths pile up.

Hi, My Name is Dicky

Hi, My Name is Dicky is a sports documentary about hockey player Richard Clune, and his struggle with substance use disorder while playing in the National Hockey League (NHL). The story begins in Toronto, where we learn about his typical Canadian childhood, then moves onto his teenage experience with the Ontario Hockey League’s (OHL) Sarnia Sting. During his time in the OHL, Rich developed a crippling addiction to drugs and alcohol, which threatened to derail both his personal life and professional career. Shortly after debuting in the NHL with the Los Angeles Kings, Rich made the choice to get sober, embarking on a wild journey to the rehab clinic back home in Canada, from his brother's dormitory in Worcester, Massachusetts. Sober for over ten years, the viewer learns how Rich leads a fascinating life off the ice, and has become a mentor to many players in the NHL, now in the twilight of his career playing for his hometown Toronto Maple Leafs.

The Andersson Brothers

A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and the difficulty of connection. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner.

My Way to Olympia

The film director Niko von Glasow undertakes a journey to athletes, who compete at the Paralympic Games in London 2012. He himself is a short-armed avowed hater of sport who cannot understand how anyone could take on such an odeal voluntarily. Even more since everyday life for people with a disability is most often challenging enough. He meets U.S.archer Matt Stutzman, Norwegian table tennis player Aida Dahlen, German swimmer Christiane Reppe, Greek boccia player Greg Polychronidis and a Sitting Volleyball team. Niko neither spares the athletes nor himself asking questions about life, sport and fears. With an ever growing appreciation for sport Niko attends the Paralympic Games and travels back to the ancient city of Olympia, where everything began and where boccia playing is prohibited.

Rising Phoenix

Elite athletes and insiders reflect on the Paralympic Games and examine how they impact a global understanding of disability, diversity and excellence.

Pass It Around

Documentary about living with an addict and grappling with the genetic propensity of becoming one.

Mr. Untouchable

The true-life story of a Harlem's notorious Nicky Barnes, a junkie turned multimillionaire drug-lord. Follow his life story from his rough childhood to the last days of his life.

Even Vergeten

Markenhof nursing home is located in the woods of Beekbergen. The unsuspecting walker might think it's a holiday park, but the buildings are home to 138 patients, all wandering around in various stages of memory-destroying Korsakoff's Syndrome. Korsakov's disease is caused by severe vitamin B1 deficiency, almost always the result of alcoholism. One patient can do little more than stare into space, while the other appears to be fine at first glance. Wracked by guilt, shame, addiction and a destroyed memory, patients Kenny and Christina try to create an understandable and livable world.

The Crying Fields

A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.

Once Upon a Time There Was a Man

Mermaid

Documentary that tells the story of Vianney Trejo, a young woman who struggles every day despite her disability. We go through her daily routine, as well as her passion, swimming, where she has consistently achieved triumphs and has been considered for international competitions.

R.E.M Burn

R.E.M Burn is a visual poem addressing thematic elements of life and death cycles and traditional knowledge principles. In our initial consideration for this piece, the collective discussed examining the art and fashion world’s appropriation of Indigenous design and iconography. The film quickly became about more than acknowledging the distinction between appropriation and recontextualization, which is increasingly less distinguishable in an age of commodification. As Indigenous people, we understand that knowledge comes from our relationship with ourselves, each other, our communities, our animal relatives, and the land herself. In its truest form, this knowledge is without replication. R.E.M Burn is ultimately a reflection on the land that sustains us, the knowledge she offers, and the responsibility we carry to share those teachings for the well-being of future generations.

Man of Kihnu

In 1986, twelve years after his film Kihnu Naine (The women of Kishnou), Mark Soosaar made this complementary documentary at the centre of which are the male inhabitants of the island. With a bitter undertone to it, Soosaar shows how, to this view, a lack of possibilities for self-government and the conceited attitude of the mainland towards the islanders have caused great problems to this society. The island has been negligently placed under far too large a kolkhoz. Enormous alcoholism is prevalent among the male population and, increasingly, among the women. Sheer possession of money has become a standard of regard. If a family cannot spare 4,000 roubles for the marriage of their children, they are ignored by the other islanders. In this dramatic as well as poetic documentary we see how the social awareness of a society has gone by the board. Merely concrete and strict reformations can improve the situation the island is in.