Radical Evil

Das radikal Böse is a German-Austrian documentary that attempted to explore psychological processes and individual decision latitude "normal young men" in the German Einsatzgruppen of the Security Police and SD, which in 1941 during the Second World War as part of the Holocaust two million Jewish civilians shot dead in Eastern Europe.

The King Who Fooled Hitler

In a tale of double agents and decoys, this documentary reveals, for the first time, the story of King George VI's elaborate ruse to divert German attention away from the Normandy landings in 1944.

Misha and the Wolves

A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth.

D-Day: 80th Anniversary

On June 6, 1944, the Allied Forces executed Operation Overlord, the largest seaborne invasion in history, storming the beaches of Normandy. This pivotal event, known as D-Day, liberated France and Western Europe. A new documentary features interviews with historians, experts, and eyewitnesses, providing detailed insights into the events leading up to this crucial day that played a vital role in bringing an end to World War II.

The Collapse of Yugoslavia

German war documentary about Yugoslavia from 1941.

The Natural History of Destruction

Is it morally acceptable to use the civilian population as yet another tool for waging war? Is it possible to justify death and destruction for the sake of supposedly lofty ideals? The question remains as pertinent today as it was at the beginning of World War II, and it is becoming increasingly urgent to answer, as countless tragedies have been caused by unethical political decisions.

The Men Who Made the Movies: Samuel Fuller

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

Renouer avec le vivant

Tell No One

Polish documentary directed by Tomasz Sekielski about child sexual abuse in the Catholic Church in Poland.

John Ford Goes to War

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Zeitgeist

A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.

Breakpoint: A Counter History of Progress

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Shooting War

A remarkable film that takes a special look at the first war to be truly reported and recorded by one of the more unsung heroes of World War II: the combat photographer. Through the unflinching eye of their camera's lenses, these courageous soldiers continually risked their lives in their brave attempts to capture history.

German Concentration Camps Factual Survey

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

39-45 : Les policiers dans la résistance

Four Roads

In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.