Balazher. The Corrections of Reality

Social systems come and go, but people remain. Since Soviet times an old ukrainian bus has been running along the outermost EU border. At the junction of this geo-political construct this old bus appears as fragile as the past itself. Will the bus come? Or not? Passengers wait patiently at the bus stop: and they dream that the bus will take them - perhaps to a better future.

Shoot Me

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Próxima Parada

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

All Access To Rossa 25 Shining Years

All Access to Rossa: 25 Shining Years tells the story of the life and career of Rossa, a prominent Indonesian pop diva. This documentary film offers a multifaceted overview of Rossa's journey, covering her musical achievements, personal challenges, family dynamics, and the ups and downs of her efforts in building her career over 25 years. The inclusion of a grand concert celebrating Rossa's 25 years of success adds grandeur and joy, making it informative and entertaining. Overall, this is a cinematic experience that touches the heart, celebrating the timeless legacy of one of Indonesia's most beloved music icons.

London Recruits

The story of the Londoners recruited to be freedom fighters during the South African apartheid during the 1960s.

LUCAS Documentary Part2 | Unfreeze

The follow up to LUCAS Documentary Part1 | Freeze

Stick Together

After their hunger strike in Berlin's government district, 5 climate activists reunite. While Lina has joined the "Last Generation," her comrades prepare for the eviction of Lützerath, a village facing demolition for mine expansion. How far will they go for their ideals?

Blijven Gaan

Five seniors, the eldest is 91 years old, train together in a gym in Rotterdam to keep fit. But the body falters and their environment is getting smaller and smaller. By doing sports, the seniors support each other: origin and social status disappear. The gym fraternizes and gives the elderly unprecedented pleasure. Despite the fanatical sports, the decline is unstoppable. This documentary also shows the seniors alone at home and the confrontational fight against the body that is becoming stiffer, with the realization that that battle is always lost in the long run.

Kısmetse Olur: Aşkın Gücü

The Secret Song

An immersive view into the final chapter in Doug Goodkin’s fabled 45-year career teaching music to children in San Francisco. In what could have been a celebratory victory lap, the veteran teacher finds his efforts to instill a sense of belonging interrupted by the COVID-19 pandemic. When their classrooms are shuttered, Goodkin and his students must surmount new adversities and find a way to keep the music playing and the learning going. Goodkin’s time-tested methods are thrown into disarray as the pandemic forces schools into “distance” learning, and a music program that always prioritized singing and learning “through the ear, not through the eye” has to adapt to an online format.

Farmer

Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.

Soul of Soil

Something is wrong with the “soil”, rendering farmers unable to make money. Enthusiastic middle-aged farmer A-Ren switches to the tech industry, aiming to revive the soil by turning garbage into compost, with his family reluctantly supporting his dream. Meanwhile, An-he, who is nearing retirement, leads his family to cultivate the land using organic farming methods. Farming becomes not only a way of life but also an attitude towards life. As the cycles of nature unfold between the tug-of-war of ideals versus reality, two farmers — one old, one young; one calm, one energetic — will intersect amid the changing seasons of life.