Annaluise & Anton (1953)
Overview
Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | de |
| Popularity | 0.178 |
Directed By
Thomas Engel
Crew
Erich Kästner
Herbert Trantow
Thomas Engel
Anna Höllering
Maria von der Osten-Sacken
Franz Weihmayr
Ilse Dubois
Fritz Jüptner-Jonstorff
Thomas Engel
TOP CAST
Sabine Eggerth
Pünktchen
Peter Feldt
Anton
Hertha Feiler
Eva Pogge
Paul Klinger
Herr Pogge
Annie Rosar
Bertha, Köchin
Jane Tilden
Fräulein Andacht
Hans Putz
Robert der Teufel
Heidemarie Hatheyer
Frau Gast, Antons Mutter
Michael Janisch
Hollack, Chauffeur
Maria Eis
Frau Übelmann
Carl Möhner
Höllriegel, Rennfahrer
Herbert Kroll
Lehrer Bremser
Hugo Gottschlich
Gustav
Hermann Erhardt
Ein Betrunkener
Claus Kaap
Klepperbein
Ulrich Bettac
(uncredited)
Ralph Boddenhuser
(uncredited)
Viktor Braun
(uncredited)
Rudolf Carl
(uncredited)
Karl de Groof
(uncredited)
Curt Eilers
Polizei-Wachtmeister (uncredited)
Richard Eybner
Kellner im Café 'Sommerlatte' (uncredited)
Ludmilla Hell
(uncredited)
Josef Jonás
(uncredited)
Josef Menschik
(uncredited)
Franz Pfaudler
Kunde im Friseursalon (uncredited)
Luise Prasser
(uncredited)
Ernst Pröckl
(uncredited)
Gretl Rainer
(uncredited)
Greta Schröder
Gesellschafterin auf Party (uncredited)
Reinhold Siegert
(uncredited)
Anneliese Tausz
(uncredited)
Walter Varndal
Friseur Habekuss (uncredited)
Fritz von Friedl
Ein Schüler (uncredited)
Oskar Wegrostek
(uncredited)
Otto Wögerer
Polizei-Oberwachtmeister (uncredited)
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Annaluise & Anton
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
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