Yellow Is Forbidden

Celebrated Chinese couturier Guo Pei is perhaps best known for designing the brilliant gold gown Rihanna wore to the Met Ball in 2015. But Guo’s quest to be recognized by the gatekeepers of Paris haute couture goes beyond the red carpet and taps into global power dynamics and the perpetual tension between art and commerce.

Real Love

Forbach, East of France, today. Mario, a man without much ambition, except where love is concerned, is back to square one after his wife left home. He now must raise his two adolescent daughters by himself, while going through some sort of a teenage crisis of his own. 14-year-old Frida blames her father for their mother's leaving and she develops ambivalent feelings towards her new girlfriend. 17-year-old Niki will soon leave home. Until then, she lives the good life. Mario can't help but lose the women he loves. Yet they must all agree to let one another go.

Where Are You Taking Me?

A high society wedding, bustling city streets, a center for former child soldiers, a nightclub full of music and laughter: these are the many faces of today's Uganda, as wonderfully captured by filmmaker Kimi Takesue. Whether exploring the pulsating energy of the city or contemplating quiet moments in the country, her artful camera compositions and the lyrical pacing of the film allow us to truly engage and process the foreign land on our own terms. Documenting Uganda while it deals with day-to-day realities and the aftermath of its civil wars, Takesue, well aware of her perspective as an outsider, strives for simple, unadorned honesty. Employing a largely observational style, Takesue allows the sight and sounds-and the people-of Uganda to speak for themselves. Usually the people she records simply ignore the camera, but when someone does engage-whether it's a group of school children...

You Are Not I

A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...

Artificial Paradises

Luisa, a 25-year-old woman addicted to chiva (heroin), travels to a beach in the coastal State of Veracruz with the idea of quitting the drug once she gets there. Luisa eventually grows ties with the locals and in particular with Salomon, a 65-years-old peasant in whom she thinks to have found the aid she needs to fulfill her goal.

God Save My Shoes

God Save My Shoes is the first documentary film to explore the intimate relationship between women and shoes, questioning why shoes are the most addictive item in a woman's closet and how shoes have become a totem object.

Kawa

A psychological drama of a family in crisis. Kawa, a successful Māori businessman in Auckland, New Zealand, is forced to reveal his lifelong secret - that he is gay.

Summer Pasture

An intimate glimpse into the experiences of a young Tibetan family struggling to reconcile their traditional way of life with a rapidly modernizing world.

Good Posture

After breaking up with her boyfriend, Lillian moves in with married couple Julia and Don only to overhear them arguing in the night. The front door slams as Don moves out, and the following days sees Lillian, selfish and irresponsible, having to earn her keep by cooking for Julia, a reclusive, distrustful writer who rarely emerges from her room. Though communicating largely through notes, the odd couple gradually forge a bond and help one another to negotiate the foibles, phobias and obstacles that have long hindered their happiness.

Three Summer Days

Serbian film about the life of refugees from Bosnia is Serbia during the war years.

Dear Pyongyang

Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.

The Most Fun You Can Have Dying

Michael has life pretty sweet. His girlfriend adores him, his best mate David is loyal to the end, plus David’s girlfriend doesn’t mind a quick hook-up either. But Michael’s self-regarding lifestyle comes crashing down when he is diagnosed with a terminal illness. Desperate not to let his life just fade away, Michael steals the $200,000 raised for his treatment, and catches a one-way flight to London. He isn’t there for long before his nerve and sense of humour earn him a vicious beating in a back alley. Waking up cold and bloodied, he finds himself being watched over by the ethereal Sylvie; a mysterious French drifter. They fall head over heels in love, and attempt to outrun death itself.

Crayons of Askalan

Zuhdi Al Adawi, a Palestinian artist imprisoned in the occupied territories, uses his art as his means of expression and is helped by the rest of the community and his own family to accomplish his artwork.

Der dritte Bruder

Extinction

The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.

Magic Bullet

Over the course of a night, Rachel, a bereaved clinical psychologist, combats her grief with elaborate self-soothing rituals while Lia, a regional shopping network host, tries to obliterate hers in a self-destructive haze. They collide in a televised confrontation.