
Crabs and Shrimp (1930)
Overview
Jean Painlevé is interested here, with the help of Eli Lotar, in crabs and shrimps. He is particularly interested in detailing their anatomy and observing their mating and fighting behavior.
Production Companies
Additional Info
Budget | $0.00 |
---|---|
Revenue | $0.00 |
Original Language | fr |
Popularity | 0.0404 |
Directed By
Jean Painlevé
Crew
Jean Painlevé
TOP CAST
Similar Movies
The Dawn of Sound: How Movies Learned to Talk
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
Berlin: Symphony of a Great City
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Nanook of the North
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Laurel & Hardy: Their Lives and Magic
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
Carmencita
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Man with a Movie Camera
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Days of Thrills and Laughter
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
Traffic Crossing Leeds Bridge
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Men Boxing
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Amazon: Longest River in the World
Documentary by Portuguese Silvino Santos, about the Amazon, its flora, fauna, its inhabitants and among other wonderful images from the beginning of the 20th century with alternating close-up shots of caimans, jaguars and tropical flora with footage of Indigenous rituals--including some of the earliest known moving images of the Indigenous Witoto people--and longer sequences showcasing the region’s extractive industries: rubber, the Brazil nut, timber, fishing, even the egret feathers that were a staple of women’s fashion at the time.
À propos de Nice
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
A Day with the Gipsies
A troupe of gypsies takes a traveler along with them on their day trip.
Accordion Player
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
Manhatta
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
Passage of Venus
Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.
Murnau, Borzage and Fox
Documentary focusing on the film careers F.W. Murnau, Frank Borzage and William Fox and their impact on the history of cinema.
Häxan
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
Edison Kinetoscopic Record of a Sneeze
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the second motion picture to be copyrighted in the United States.