¿Por qué la gallina cruzó el camino?

Les corps aqueux

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

LIMINAL

A troubled man returns home for the last time.

Meat Party

A man and women have dinner, a steak, and his woman ( second steak) also does.

Deborah

Created by Antonio Rezza using an auto-timer and edited in the video camera, it describes selfishness and one-sided relationships. The only person who listens to everyone else’s problems ends up sopressing himself before the eyes of his confidantes/ executioners.

PARASU

the emotional rollercoaster journey of a wood cutter when nature is paying back.

House Viewing

Welcome Home.

Ubuntu

The Internal Void of a Damaged Mind

Whilst Waiting

A person spends some time in a room

beer cans under my bed

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Walks That Won't Happen

While having a virtual walk through StreetView, on Google Maps, the artist questions the dissonance between the way the city is portrayed on those maps, and the way city looks today, compared to their own personal changes through time.

Speaking in Tongues: Take One

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

De Quanta Terra Precisa Um Homem?

Memoirs of a Strangler of Blondes

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.