A Fugue

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

bleared eyes of blue glass

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.

The Iron Sea

An experimental short shot on a f0.3 equivalent large format lens

Shadows

Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.

Sea of Cranes

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

After a Swim

a woman getting ready after a swim who happens to get captured by my lenses, farah.

The Things You Said On That Cloudy Day

A Brief History of Circles

An experimental video essay which uses circles and waves to explore neurodivergent experience.

Making the Nature Scene

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Being in a Place: A Portrait of Margaret Tait

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

A Film to Pass the Time

Exploring American living, sex work, and the power of God among other things in the year 2024.

unbroken rhythms

poem. trees. fragments. fritz. movement.

An Uncountable Number of Threads

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Diana Wilted Forever

Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.

Feet in Water, Head on Fire

Date palms imported and cultivated decades ago flourish in the Coachella Valley in Southern California. A cacophony of voices from across generations reflect on the shifting landscape of the region; some remember the first few acres that were planted, while others enjoy the luxuries of new golf courses. Feet in Water, Head on Fire is a sensorially vibrant 16mm experience that takes us on a journey of past, present, and future. Director Terra Long hand-processed the footage utilizing leftover dates and native plants intertwining the environment into the fabric of the film. Through complex and nuanced scenes, non-sync interviews blossom into a wonderfully gentle but memorable portrait of a community in flux.

Revés

The portrait of a world in reverse, a society of different tonalities and shades. Aspiration as a refuge from systematization.