Undocumented in the Pandemic

With The Marshall Project and the Pulitzer Center, a look at one immigrant mother’s struggle to keep her children safe and housed, with her husband detained by ICE in a facility where COVID is spreading. Also in this two-part hour, Love, Life & the Virus.

John Ware Reclaimed

Filmmaker Cheryl Foggo re-examines the story of John Ware, the Black cowboy who settled in Alberta, Canada, prior to the turn of the 20th century.

A Young Girl in Her Nineties

In the geriatric care section of the Charles Foix d’Ivry hospital, Thierry Thieû Niang, a famous choreographer, is running a dance workshop for Alzheimer’s patients. Through dance, lives are told, memories recounted: regrets, bitterness, moments of joy and solitude. Blanche Moreau is 92 years old. During the filming, she has fallen in love with the choreographer Thierry. The simple fact of falling in love being crazy enough as it is, there’s no longer anything else mad or delirious about Blanche: her illness has simply become lovesickness.

Leslie Sansone: 5 Mega Miles

Use the miles in any combination that fits your schedule and your goals. Try a 1 Mile walk every morning to start your day the right way…or do a 2 Mile Walk before dinner…why not 3 Miles every Wednesday? There are so many combinations to keep things fresh and effective! It all WORKS to keep you walking strong and slim!

Doing Rude Things

A light-hearted celebration of British sex films from the 1950s to the early 1980s. Presented by Angus Deayton, the programme includes interviews with movie veterans Robin Askwith and Pamela Green, as well as featuring clips from popular X-rated movies like “Come Play with Me” (1977).

A Man, When He Is a Man

What are the social climate and cultural traditions in Costa Rica which nurture "machismo" and allow the domination of women to continue in Latin America?

A Short History of the Highrise

“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.

41 on 41

Interviewees discuss the life of former president George H. W. Bush

Martyrdom

Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.

Pauline Hanson: Please Explain!

Director Anna Broinowski explores how Pauline Hanson's speech in 1996 and the decades of debate that followed has influenced Australia today; the impact of her political career on modern multicultural Australia, and the people who have helped her transition from local fish shop owner to Member for Oxley. Featuring many of Hanson's critics, opponents, advisors and commentators, from former Prime Minister John Howard, to current members of the media, including Margo Kingston and Alan Jones; and leading Indigenous commentator, Professor Marcia Langton.

Cristina

An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a 'live in the now' mentality, Cristina's second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina's journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love... what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.

Atik, gardien du territoire

Pornotropic

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.

Calling Mr. Smith

Calling Mr Smith: a 10-minute anti-war film denouncing the destruction of Polish national culture under the Nazis.

A Job in a Million

A Cockney lad trains to be a messenger boy.

Peter Handke: In the Woods, Might Be Late

In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.