KristoBall (1967)
Overview
Kristoball can be seen as a unique expression of the time; 1960 heading towards 1968 - individuality and playful modernism, the Vietnam war and awakening political consciousness.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | no |
| Popularity | 0.107 |
Directed By
Arild Kristo
TOP CAST
Similar Movies
Qu'est-ce que c'est?
An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.
The Game
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.
Death of a Stag
Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.
23
A cartoon with a very loose form, mostly following the very creation of images with the author's hand often in the shot.
HER
Somewhere between dream, life, and death, a girl sees HERself confronted with HER images of two important people in HER life and HERself.
HoLy Cycles
Steadily reading while/becomes treading into murky waters.
Disparate, Shifty Fate
Wax and wane until there is naught but boring pain.
Triptych on Matter and Death
Experimental Yugoslav short film.
Home Away From Home
A taxi driver, a young girl and a backpacker simultaneously experience a wonderful journey in Tokyo, where they find connections to their own homes in Africa, Europe and Southeast Asia.Throughout their journey, they run into the same Japanese woman named Akiko. Meanwhile, a writer in Paris recalls her encounter with Akiko in Tokyo.
Complainant
There is nothing left to do but complain.
Serenity
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
The Image Burns
Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.
Razor Blades
In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times hypnotised and re-educated by some potent and mysterious force.
Colossal
Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
Todo Todo Teros
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Afternoon Woman
The daily lives of three young women that live together in a big city in Brazil and go through crucial moments in their lives.
Anna the Maid
An experimental movie based on a poem of the French writer and director Jean Cocteau about a servant who fantasises about killing the lady of the house.
Mr. Pregnant
A short about going CowboyMode.
ROJA
Levin lives in his memories and can't shake his first love. Caught in a spiral of constant changing memories he figures out what he really did. Meanwhile his boss forces him to join an elite group of brokers, who meet to fight each other on weekends. Those meetings are a counter balance to their stressful jobs. Levin decides that his big ego doesn't deserve to live. But instead of going through with this decision, he escapes again, risking the life of his boss during one of the fight weekends.
Brincando el Charco: Portrait of a Puerto Rican
Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.