Do I Have to Take Care of Everything?

A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.

The Photograph

When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother's early life -- an investigation that leads to an unexpected romance with a rising journalist.

Appropriate Behavior

Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.

Brother

Giorgi is 16 years old when he discovers another world through American films forbidden in all Soviet Union until then. Since the post-revolutionary chaos in his home town, Tbilisi, Giorgi has wanted to have succeeded by following the path of his idols: Tony Montana and Vito Corleone. He has almost reached his goal when he is confronted with a dilemma; how can he stop his little brother who is 12 years old to follow his path when he could become a famous pianist? All this in a world that only knows chaos.

The Slow Business of Going

Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.”

Lady of the Night

Angelina is tired of long serious relationships. One day she is brutally raped and she changes dramatically. Suddenly she is getting involved in more and more dangerous relations with unknown men until her behavior leads to a fatal crime.

My Mother Dreams the Satan's Disciples in New York

A widowed Midwestern housewife travels to Manhattan for the first time to visit her daughter. Once there, she becomes obsessed with the Hell's Angels-ish bikers' club across the street from her daughter's East Village apartment.

Fall of Ming

The Runaway

Ausreißer [The Runaway] is a 2004 German short film directed by Ulrike Grote, with Peter Jordan and Maximilian Werner. It follows Walter, an unemployed architect, who is getting ready to go for an interview. But just as he is about to leave his flat, an eight-year-old boy, Yuri, approaches him at the door, claiming to be his son. The film was nominated for an Oscar for Best Live Action Short Film.

Status Update

After being uprooted by his parents' separation and unable to fit into his new hometown, a teenager stumbles upon a magical app that causes his social media updates to come true.

Sanctuary Population One

A young idealist, Ethan, is left searching for his family while fighting the infected, Med-Ex militia and bloodthirsty marauders, and the ghosts of his past.

Upa! An Argentinian Movie

Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.

The Captive

Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she's still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.

The Sleepwalker

A young couple, Kaia and Andrew, are renovating Kaia's secluded family estate. Their lives are violently disrupted upon the unexpected arrival of Kaia's sister, Christine, and her fiancé, Ira.

Song One

Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives.

Roman Dialogue

'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.