Love at Twenty (1962)
Overview
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | fr |
| Popularity | 4.707 |
Directed By
François Truffaut
Shintarō Ishihara
Andrzej Wajda
Marcel Ophüls
Renzo Rossellini
Crew
Jerzy Stefan Stawiński
François Truffaut
François Truffaut
Shintarō Ishihara
Andrzej Wajda
Marcel Ophüls
Jerzy Sieński
Philippe Dussart
Ewa Starowieyska
Renzo Rossellini
Barbara Pec-Ślesicka
Jerzy Matuszkiewicz
Gérard Brach
Toru Takemitsu
Pierre Roustang
Guy Villette
Suzanne Schiffman
Georges Delerue
Renzo Rossellini
Marcel Ophüls
Claudine Bouché
Yvon Samuel
Shintarō Ishihara
Charles L. Bitsch
Andrzej Żuławski
Halina Nawrocka
Raoul Coutard
Shigeo Murata
Jerzy Lipman
Wolf Wirth
Mario Montuori
TOP CAST
Jean-Pierre Léaud
Antoine Doinel (segment "Antoine et Colette")
Marie-France Pisier
Colette (segment "Antoine et Colette")
Patrick Auffay
René (segment "Antoine et Colette")
Rosy Varte
La mère de Colette (segment "Antoine et Colette")
François Darbon
Le beau-père de Colette (segment "Antoine et Colette")
Jean-François Adam
Albert Tazzi (segment "Antoine et Colette")
Pierre Schaeffer
Himself (segment "Antoine et Colette")
Cristina Gaïoni
Christina
Geronimo Meynier
Leonardo
Eleonora Rossi Drago
Valentina
Nami Tamura
Fukimo
Koji Furuhata
Hiroshi
Barbara Frey
Ursula
Christian Doermer
Tonio
Barbara Lass
Basia (segment "Warszawa")
Zbigniew Cybulski
Zbyszek (segment "Warszawa")
Władysław Kowalski
Władek (segment "Warszawa")
Damian Damięcki
Basia's Friend (segment "Warszawa") (uncredited)
Jan Englert
Basia's Friend (segment "Warszawa") (uncredited)
Marian Opania
Misiek (segment "Warszawa") (uncredited)
Barbara Sołtysik
Marysia (segment "Warszawa") (uncredited)
Jolanta Wołłejko
Basia's Friend (segment "Warszawa") (uncredited)
Catherine-Isabelle Duport
Young Girl at Concert (uncredited)
Similar Movies
Stolen Kisses
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Antoine and Colette
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Love on the Run
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
The 400 Blows
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
Fahrenheit 451
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…
The Last Metro
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Vivre Sa Vie
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
The Wild Child
In 1798, a feral boy is discovered outside the town of Aveyron, France. Diagnosed as mentally impaired, he is relegated to an asylum. A young doctor named Jean Itard becomes convinced that the boy has normal mental capacity, but that his development was hindered by lack of contact with society. He brings the boy home and begins an arduous attempt at education over several years.
Jules and Jim
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
La Chinoise
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
Day for Night
A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.
Tout Va Bien
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
Alphaville
Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”
Band of Outsiders
Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.
Hiroshima Mon Amour
The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.
Handsome Serge
After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.
Love in the Afternoon
The last of Rohmer's Six Moral Tales. Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma.
The Woman Next Door
Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.
Pierrot le Fou
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Grand Illusion
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.