Arada

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

Atatürk, père de la Turquie moderne

Cyprus 1974: Landing For Peace

On the 50th anniversary of the Cyprus Peace Operation, TRT World revisits the island's turbulent history and asks: Is there still hope for reconciliation?

Öcalan and the Kurdish Question

Kurdistan, partitioned between Iran, Iraq, Turkey and Syria, could play a major role in a torn Middle East. But who are the Kurds? What influence do they have? Who exactly is Abdullah Öcalan, the leader of the Kurdistan Workers' Party? An enlightening investigation by Luis Miranda.

The Last Apostle: Journies in the Holy Land

Dr. Mark Fairchild, world-renowned archaeologist, traces the hidden years of Saint Paul's life in the mountainous Turkish countryside of Rough Cilicia.

Es gibt mich noch - Ein Folteropfer aus der Türkei

Documentary directed by Klaus Antes

Mon père, la révolution et moi

A documentary tragicomedy of a father-daughter relationship, told by the subjective perspective of the young director. She tries to understand how a revolutionary could have become a criminal and an alcoholic, and why he abandoned his family. Freely juggling between documentary, fiction and animation, the director takes us on a journey around the world. The daughter of a former communists visits the ports of the revolt, where communities are trying to realize the concrete utopia.

My boy, look at the stars

February 28 is Deniz Gezmiş's birthday… He would have been 75 years old today; but it only lived for 25 years, and in those 25 years, it had an impact that spanned 75 years. When you have a 25-year-old son, one feels better, what was done to him...

Turkeys for Xmas

Feathered friends prepare to meet their fate in this seasonal newsreel outing to a Norfolk turkey farm.

Girls' War

As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.

İHA'nın Arşivinden 17 Ağustos 1999 Depremi

Byzance

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

Istanbul

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Maître Galip

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.A short doc by Maurice Pialat.

Golden Horn

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

Pehlivan

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.