Tomorrow (1972)
Overview
A lonely farmer takes in a pregnant woman and looks after her. After she gives birth, tragedy strikes.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 0.671 |
Directed By
Joseph Anthony
Crew
William Faulkner
Joseph Anthony
Horton Foote
Michael Haley
Alan Hopkins
Lillian O. MacNeill
Paula Roizman
Ed Brennan
Steven P. Skloot
Barbara Tindall
Carlos Quiles
William A. Farley
Jack Brown
Harvey Snow
George Bouillet
Dean Olive
Paul Roebling
Joe Slifkin
Jess Soraci
John J. Connor
David Blumgart
Dick Vorisek
Gilbert Pearlman
Ed Engels Jr.
Thomas Cestare
Jess Soraci
Frederic C. Weiler
Ruth Dorizzi
Ellen Anthony
Irwin Stahl
Jimmy Battle
Allan Green
Reva Schlesinger
William Faulkner
TOP CAST
Robert Duvall
Jackson Fentry
Olga Bellin
Sarah Eubanks
Sudie Bond
Mrs. Hulie
Richard McConnell
Isham Russell
Peter Masterson
Lawyer Douglas
William Hawley
Papa Fentry
James Franks
Preacher Whitehead
Johnny Mask
Jackson / Longstreet Fentry - Sarah's child
Effie Green
Storekeeper
Ken Lindley
Judge
R.M. Weaver
Jury Foreman
Jack Simley
Thorpe Brother
Billy Summerford
Thorpe Brother
Thomas C. Coggin
Thorpe Brother
Similar Movies
1922
A simple yet proud rancher conspires to murder his wife for financial gain, convincing his teenage son to participate.
The Sound and the Fury
A look at the trials and tribulations of The Compson siblings, living in the deep south during the early part of the 20th century.
Mississippi Masala
Years after her Indian family was forced to flee their home in Uganda, twentysomething Mina finds herself helping to run a motel in the faraway land of Mississippi. It's there that a passionate romance with the charming Black carpet cleaner Demetrius challenges the prejudices of their conservative families and exposes the rifts between the region's Indian and African American communities.
Wisdom
Unable to find work after a past felony, graduate John Wisdom and his girlfriend embark on a cross-country bank-robbing spree in order to aid American farmers.
Country
Jewell and Gil are farmers. They seem to be working against the odds, producing no financial surplus. Gil has lost hope of ever becoming prosperous, but Jewell decides to fight for her family.
Maverick
Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.
My Man and I
In California, a Mexican-American laborer is falsely accused of shooting the racist farmer he was working for after the farmer stiffed him with a bad check.
Withnail & I
Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.
Bad Day for the Cut
A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when the old lady is murdered.
In Cold Blood
After a botched robbery results in the brutal murder of a rural family, two drifters elude police, in the end coming to terms with their own mortality and the repercussions of their vile atrocity.
Biloxi Blues
Eugene, an aspiring writer from Brooklyn, is drafted into the US Army during the final months of World War II. For his basic training, the Army sends him to Camp Shelby in Mississippi, where toil, bad food, and antisemitic jibes await. Eugene takes refuge in his sense of humor and in his diary, but they won't protect him in a battle of wills with an unstable drill sergeant.
Kaththi
Kathiresan aka Kaththi, a criminal, escapes from the Kolkata prison and comes to Chennai, where he comes across his doppelganger Jeevanandham, fighting for his life after being shot at by unknown men. Kathir decides to pass off as Jeeva and make away with a lump sum amount but once he realizes who Jeeva really is, Kathir turns a crusader.
The Milagro Beanfield War
The accidental breakdown of an irrigation valve launches a hot confrontation between the mainly Latino farmers in a tiny New Mexico town and the real estate developers and politicians determined to acquire their land for a golf resort.
The Reivers
In turn-of-the-century Mississippi, an 11-year-old boy comes of age as two mischievous adult friends talk him into sneaking the family car out for a trip to Memphis and a series of adventures.
The Defiant Ones
Two convicts—a white racist and an angry black man—escape while chained to each other.
Days of Heaven
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.
The Rice Bomber
Based on a true social event, The Rice Bomber depicts a series of bombing events in Taiwan a decade ago. It is a time when the agriculture is struggling to survive. A man strives to arouse the government’s attention and to revive its conscience by making 17 rice bombs.
Twelve Mile Road
A divorced farmer takes in his troubled teenage daughter for the summer, a summer which changes the lives of the two of them, and their friends and family.
Tap Roots
Set at the beginning of the Civil War, Tap Roots is all about a county in Mississippi which chooses to secede from the state rather than enter the conflict. The county is protected from the Confederacy by an abolitionist and a Native American gentleman. The abolitionist's daughter is courted by a powerful newspaper publisher when her fiance, a confederate officer, elopes with the girl's sister. The daughter at first resists the publisher's attentions, but turns to him for aid when her ex-fiance plans to capture the seceding county on behalf of the South.
Dragonwyck
For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas' troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.