Black Man's Houses

In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.

Les frontières de l’art

Takeover

About Aborigines and Australian politics. On 13 March 1978 the Queensland Government announced its intention to take over management of the Aurukun Aboriginal Reserve from the Uniting Church. The people of Aurukun complained bitterly, believing that the Church was more sympathetic to their aims and fearing that the State was merely seeking easier access to the rich bauxite deposits on their Reserve. When the Federal Government took the side of the Aborigines the stage was set for national confrontation. Shows the situation at Aurukun during those crucial three weeks.

Jour de juin

Saving Warru

Warru, or black-footed rock-wallaby, is one of South Australia's most endangered mammals. In 2007, when numbers dropped below 200 in the APY Lands in the remote north-west of the State, the Warru Recovery Team was formed to help save the precious species from extinction. Bringing together contemporary science, practical on-ground threat management and traditional Anangu ecological knowledge, this unique decade-long program has celebrated the release of dozens of warru to the wild for the first time.

Foster Child

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

Eskimo Arts and Crafts

How Inuit peoples perform arts and crafts, on the island of Baffin Island on what is now the territory of Nanavut.

Taromenani

In May 2003, around 30 women and children were murdered in the Ecuadorian jungle. The victims belonged to the Taromenani clan, an uncontacted indigenous group in Ecuador. The massacre was left in impunity and oblivion. This documentary explores the history of contact with the Huaorani decades ago, the death of Alejandro Labaka in 1987 and recent attacks on loggers in the area, to discover that these events are linked to the history of uncontacted peoples in Ecuador.

Devenir complotiste

Two Countries, One Street

This short documentary visits the 3 Quebec border towns of Rock Island, Stanstead and Beebe, and the Vermont town of Derby Line to see how residents and officials cope with a civic life that is cut down the middle by an international boundary.

Beluga Days

From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

Indian Time

The title Indian Time seeks to reverse the stereotypical expression associated with ‘’being late’’ in order to present the indigenous viewpoint of their relationship with time, territories, people and objets proper to the First Nations, thus launching the spectator into this ‘’Indian Time’’ with fresh eyes and an open heart. Captured over a period of five years within 18 communities, INDIAN TIME is a personal and current portrayal of the 11 Aboriginal nations of Québec, where some forty people take turns speaking, allowing for exceptional encounters and immersing the viewer - eyes and heart - in this "Indian Time".

Pakatakan (route des portages)

Innu assi (communautés innues)

Sous le shaputuan (rencontre Québecois-vs-Innu)

Ashtam (viens me voir)