Marc-Antoine Le Bret returns with a new show: "Solo". Still alone on stage, as the title suggests, he is nonetheless accompanied by a hundred characters whose voices he imitates with consummate talent throughout a bouquet of new sketches. In this show, the audience gets a little glimpse of what could happen if the world started turning upside down: a real post-apocalyptic show, before the end of the world, in short. But fortunately, humor is there to help swallow the pill. Didier Deschamps, Cyril Lignac, Stéphane Bern, Nelson Monfort, Marine Le Pen, Nicolas Sarkozy, Laurent Ruquier, Marlène Schiappa, Chantal Ladesou... the list of his imitations is even longer. He is now one of the most talented imitators of his generation. Marc-Antoine Le Bret is back on stage with a new show, SOLO.
Caroline Estremo, a nurse by profession, decided to bring her first book to the stage: "#infirmière". Instead of plunging into tragedy, she opts for humor: "I wanted to talk about it with humor, because it's more listenable for the general public. We've been on strike for years, marching in the streets, but I have the impression that people no longer hear us or see us. So I chose a different strategy: to make people laugh and make them laugh." It is thus that her one-woman show was born.
Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.
A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.
Dieudonné returns over his 10 years of solo career... In an original direction(fabrication), he reviews all his hilarious characters who made of him the most prolific humorist of his generation.
This fifth solo show is a personal story, a short treatise on the disappointments, the distractions and the choices at the heart of the atypical life of a privileged person. Captured on 16mm motion picture film at the Cabaret Lion d'Or in May 2022.
A show, a single objective: to push the limits of fun! On the program: laughter, sharing, dancing, singing, disco balls, glitter, dreams and incredible surprises. Prepare to experience an extraordinary evening!
Social networks, exacerbated militancy, Cancel Culture, the Covid crisis has only accelerated the emergence of the new world... Fabrice Eboué already feels overwhelmed... After the success of "Plus Rien à Perdre" and this long period of pandemic, Fabrice Eboué returns to the stage with his fourth and new show!
Helena loves the arrogant Bertram, and when she cures the King of France of his sickness, she claims Bertram as her reward. But her new husband, flying from Helena to join the wars, attaches two obstructive conditions to their marriage - conditions he is sure will never be met. Featuring Olivier-award winning actress Janie Dee as the Countess of Roussillon.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both. But the women are up to the old lecher’s tricks and turn the tables on him with a series of humiliating assignations, midnight terrors and a very damp, extremely smelly laundry basket. Gutsy, colloquial and bustling with vivid characters, The Merry Wives of Windsor is a brilliantly constructed farce and the only comedy Shakespeare set in his native land. It is also the ancestor of English bourgeois comedy and gave birth to a tradition that reaches down to the modern TV sitcom. The production made merry with the relationship between the life of middle-class Elizabethan England and the late medieval period in which the play is set.
When the King of Navarre and his three courtiers forswear all pleasure - particularly of the female variety - in favour of a life of study, the arrival of the Princess of France and her ladies plays havoc with their intentions. Using every kind of verbal gymnastics to poke fun, Shakespeare's most intellectual comedy is brought to hilarious life in this highly entaining production, rich in visual humour and sexual innuendo.