Voyeur (2017)
Overview
An evocative portrait of people having orgasms, lingering on the silent classical face of ecstasy.
Production Companies
Additional Info
Budget | $0.00 |
---|---|
Revenue | $0.00 |
Original Language | en |
Popularity | 0.883 |
Directed By
Beth B
Crew
Beth B
TOP CAST
Similar Movies
Silent Shakespeare
A BFI collection of 7 short films from the USA, England and Italy scored for Piano, Guitar and String Quartet.
Laurel & Hardy: Their Lives and Magic
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
How Animated Cartoons Are Made
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
One Second in Montreal
A silent succession of black-and-white photographs of the city of Montreal.
Mark Twain (Samuel Clemens)
Documentary footage of the author and his two daughters at home.
Crabs and Shrimp
Jean Painlevé is interested here, with the help of Eli Lotar, in crabs and shrimps. He is particularly interested in detailing their anatomy and observing their mating and fighting behavior.
Opening of the Kiel Canal
The opening of the Kiel Canal in Germany by Kaiser Wilhelm II on 20 June 1895.
Fight for the Dardanelles
The film uses stop-frame animation to create maps on the screen, and showed the then-current military situation in the Dardanelles, using various maps to assist understanding. Small cardboard cut-outs show the deployment of men and ships. Intertitles explain tactics, and shelling explosions are illustrated by clouds of cotton wool.
Around China with a Movie Camera
A new film compiled from the BFI National Archive's unparalleled holdings of early films of China, features films from 1900-48 filmed across China. The cinematic journey of Around China with a Movie Camera contains many films which may never have been seen in China, or at the very least not for over 70 years. These travelogues, newsreels and home movies were made by a diverse group of British and French filmmakers, some professionals, but mainly enthusiastic amateurs, including intrepid tourists, colonial-era expatriates and Christian missionaries.
Traffic Crossing Leeds Bridge
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Visions of Lourdes
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Carmencita
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Lumiere's First Picture Shows
An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.
New York Portrait, Chapter II
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
New York Portrait, Chapter III
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
Film-Tract n° 1968
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min