Tiverton Canal Co. 50th Anniversary

A short documentary comemmorating 50 years of the Tiverton Canal Co. operating on the Grand Western Canal in Tiverton, Devon.

Now Something Is Slowly Changing

A bold documentary in a measured style about the modern-day quest for meaning and personal growth.

Sons of the Soil

Ilford's Fairlop Plain provides the battlefield for ploughing matches between local hands and Essex outsiders.

Hoteliér

Paul McCarthy: Destruction of the Body

Drawing on the idiom and imagery of the consumer culture he grew up in, video artist Paul McCarthy distorts and mutates the familiar into the disturbing and grotesque as fairy tale narratives and foods are transformed into tableaus of abuse and violation.

Le chemin brut de Lisette et Romain

Traffic Crossing Leeds Bridge

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

PTSD: The War in My Head

This film tells the stories of three British soldiers who died last year following lengthy battles with Post Traumatic Stress Disorder (PTSD). John Paul Finnigan from Liverpool, Kevin Williams from London, and Kevin Holt from Doncaster were in the same regiment, 2-Rifles, which served in Iraq and Afghanistan. Through personal videos, voice notes, interviews and letters, this film reveals the private battle these men fought with their mental health. While candid conversations with soldiers’ friends and families, document how their illnesses affected those around them.

Seabiscuit: The Lost Documentary

Made in 1939 by Seabiscuit's owner Charles Howard. This inspirational film chronicles Seabiscuit's life from birth, through training, and the legendary match race with War Admiral.

Total Trust

By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.

A Legacy of Horses

In 1996, John used to proudly ride around on his horse in Ballymun of Dublin. Now, 20 years later, the horse inheritance, that he received from his father, will be given to John's son, Daragh, who will soon be 16 years old.

American Mustang

Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

Landscape of our Body

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Cowboys: A Documentary Portrait

Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.

Circus

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

Begrijpt u nu waarom ik huil?

The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.