Rapport

Shot during an NLP (neuro-linguistic programming) seminar in Berlin, a group fluxuates between guided meditation and discussion on consciousness and self-acceptance. Neuro-linguistic programming is a set of techniques and beliefs that are used primarily towards personal development. NLP is based on the idea that mind, body, and language create an individual's perception of the world, and an individuals behaviors can be changed by "perceiving and feeling yourself". Rapport focuses on the staging of the self that takes place during this kind of group therapy.

Biosludged

Biosludged reveals how the EPA is committing science fraud to allow the ongoing poisoning of our world with toxic sewage sludge that's being spread on food crops. Features former top government scientist and EPA whistleblower Dr. David Lewis.

How Can You Stay In The House All Day And Not Go Anywhere?

A multimedia performance including film, live narration and dance, How Can You Stay in the House All Day and Not Go Anywhere? explores loss and transcendence experienced in human partnerships. Reflecting on his relationship with 102-year-old former sharecropper, carpenter and gardener Walter Carter as well as Andrei Tarkovsky’s science fiction classic, Solaris, Lemon and 6 dancers create a performance which arcs from turbulent physicality to restorative grace.

Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Romantic Chorus

A feature animated-documentary that focuses on sex and romantic connections featuring 21 diverse interviews with people from a wide range of genders, cultural backgrounds, abilities, and sexual orientations as they discuss Sex, Monogamy, Fear and Technology. The film is also collaboration of our production staff and 17 animators from 10 countries.

Somebody's Daughter

Because of the internet's accessibility, anonymity, and affordability, pornography addictions have risen to epidemic levels, destroying intimacy, marriages and families, while distorting our definition of sex and sexuality.

Why Knot

Why do human beings get married in almost every society in the world? Why do we cheat? Why is monogamy so important to a relationship and why does infidelity cause so much grief? These are some of the questions acclaimed documentary filmmaker Dhruv Dhawan confronts in his next feature length documentary which explores why human beings evolved cultures of marriage and monogamy that are rife with infidelity. As he attends various lavish weddings occurring within his family, Dhruv is pestered to follow suit but is haunted by his family’s history of infidelity, as well as his own and embarks on a personal quest to discover the origins of marriage, the reasons for monogamy and the pain of infidelity as he tries to mediate an open relationship with the woman he loves. Dhruv’s search takes us on a journey into the biology of sex, the history of patriarchy and the politics of monogamy told through the lives of scientists, swingers, adulterers and Dhruv’s own family.

Flying with Fins

Paintings, performances, experiments, electronic music sounding in the spaces of two old houses in a small Italian town, heated conversations about contemporary art, touching meetings with the closest people and places in Bulgaria after 50 years of separation. "Flying with Fins" is a film about the constant search for meaning in art and life. Alzek Misheff, artist - rebel and experimenter, leads us in this philosophical and aesthetic journey through time, space and ideas.

Violin Film #1 (Playing The Violin As Fast As I Can)

Violin Film #1 (Playing the Violin as Fast as I Can), is one of several 1967-68 films featuring Nauman's violin-playing, in which the production of sound is subjected to procedural strategies that problematize its status as music and performance.

Violin Tuned D.E.A.D

In an earlier film, Playing A Note on the Violin While I Walk Around the Studio (Violin #1), Nauman played a single note on the violin as he walked around his studio. In this video work, he remains in a stationary position while he plays four strings together. (These have been tuned to the notes of the title, as opposed to the normal G, D, A, and E.) The camera is fixed and turned on its side.

Europe in the Raw

Russ Meyer's documentary about the underground vice world of Europe.

Atlantic City Hookers: It Ain't E-Z Being A Ho'

Documentary - HD. Hidden cameras capture prostitutes working the streets of the neon-soaked gambling mecca of Atlantic City.

The Truth About Pula

Yugoslav Partisan propaganda film about the post-World War II events in Pula.

Railings

This video performance showcases two works by the artist. In the first, he walks through the streets of London, trailing a wooden drumstick along a series of metal railings, producing a percussive, sometimes bell-like noise. The camera follows behind, focusing on the stick as it strikes the railings. Occasionally, it cuts to wide-angle shots, capturing the awkward and oddly humorous presence of other people. In the second work, titled "Samples II" Alÿs appears even rawer, minimal and radical. He walks around London with a drumstick in hand, creating sounds by playing the metal fences beside him, without a melody. These works are a playful example of one of Alÿs’s ‘interventions’ in the city.

TEMP(O)RAL

Re-enacment

For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.