and now? (2015)
Overview
#13, glancing, or avoiding.
Production Companies
Additional Info
| Budget | $1.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 0.1 |
Directed By
Matthew Taylor Blais
TOP CAST
Isiah Medina
Himself
Haya Kailani
Herself
Similar Movies
The Internet's Own Boy: The Story of Aaron Swartz
Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for open access ensnared him in a legal nightmare that ended with the taking of his own life at the age of 26.
Berlin: Symphony of a Great City
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
La deuxième femme
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
A Life of Extravaganza - The Genius Frank Zappa
The documentary examines Frank Zappa and his music through archive footage, including unique video excerpts from Austrian television archives featuring interviews with Zappa and backstage scenes from the 1970s and 1980s. The entire film is divided into chapters discussing the most important themes in Zappa's life and work.
Kolkata
A portrait of North Kolkata (Calcutta), this film searches the streets for the ebb and flow of humanity and reflects the changing landscape of a city at once medieval and modern. -Mark Toscano. Preserved by the Academy Film Archive in 2014.
Ariadne
The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.
Panta Rhei
In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.
“(ಥ﹏ಥ) ✧_My Parents Are CIA Psy0ps_!!!* ಠ_ಠ"
On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.
Bliss
The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.
Startup.com
Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?
Going Underground: Paul McCartney, the Beatles and the UK Counterculture
Feature-length documentary examining the growth of the UK Counterculture in the mid-1960s, and Paul McCartney's involvement with this movement, which had a significant impact on the Beatles' music and their evolution during the latter half of the decade.
Cyber Hell: Exposing an Internet Horror
Anonymous and exploitative, a network of online chat rooms ran rampant with sex crimes. The hunt to take down its operators required guts and tenacity.
The Great Canadian Comic Books!
Film accompanying the book of the same name by Nelvana Enterprises founders Michael Hirsh and Patrick Loubert, with partner Clive Smith as designer and illustrator. It looks at the "Canadian Whites" series of comic books made during World War II, with some focus on Nelvana of the Northern Lights, the genre's first superheroine, and Johnny Canuck. It was accompanied by a two-year travelling tour of the art, the National Gallery of Canada's "Comic Art Traditions in Canada, 1941–45". This is Nelvana Enterprises' first film.
You Can't Do That on Film
What happens when you travel to the birthplace of green slime? For an entire generation of classic Nickelodeon fans, it's like finding the Holy Grail.
Tarta
Christmas Eve in rapid camera.
Cara-cola
A light explodes and becomes a snail.
The Giverny Document (Single Channel)
Filmed on location in Harlem and in Monet’s historic gardens in Giverny, this multi-textured cinematic poem meditates on the bodily integrity and creative virtuosity of black women.
Jeff Wall: Retrospective
Jeff Wall is one of the most important and influential photographers working today. His work played a key role in establishing photography as a contemporary art form.
The Internet Warriors
Why do people vent such toxic opinions online? Filmmaker Kyrre Lien spent three years travelling the world to find out who these anonymous ‘internet warriors’ are and why they do it.
Third Shift Coming Home
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.