Peter's Friends

After inheriting a large country estate from his late father, Peter invites his friends from college: married couple Roger and Mary, the lonely Maggie, fashionable Sarah, and writer Andrew, who brings his American TV star wife, Carol. Sarah's new boyfriend, Brian, also attends. It has been 10 years since college, and they find their lives are very different.

Nekromantik

A street sweeper who cleans up after grisly accidents brings home a full corpse for him and his wife to enjoy sexually, but is dismayed to see that his wife prefers the corpse over him.

Alexander: The Other Side of Dawn

In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.

To an Unknown God

José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.

Race d'Ep!

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

National Theatre Live: The Habit of Art

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Nobody Loves Me

On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?

Silvester Home Run

Vive L'Amour

Three lonely young denizens of Taipei unknowingly share an apartment: May, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-kang, who's stolen the key and uses the apartment as a retreat.

Spun

Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.

Oi! Warning

A young man gets caught up in a conflict between his friends, a skinhead and a gay anarchist.

After Louie

As an AIDS activist and member of ACT UP in the 1980s and 90s, Sam witnessed the deaths of too many friends and lovers. Battlewounded and struggling with survivor's guilt, Sam now resents the complacency of his former comrades and derides what he sees as the younger generation's indifference to the politics of sex, and of death. An unexpected intimacy with a much younger man challenges Sam's understanding of contemporary gay life. Through this unconventional romance, he is forced to deal with the trauma that so informs his past, their present, and an unknown future.

Beach Rats

On the outskirts of Brooklyn, Frankie, an aimless teenager, suffocates under the oppressive glare cast by his family and a toxic group of delinquent friends. Struggling with his own identity, Frankie begins to scour hookup sites for older men.

Filip

Seven-year-old Filip admires his older brother Sebastian most of all. They fool around, watch movies and play football together. One evening Filip happens to see something unexpected between Sebastian and his best friend and Filip doesn't know how to handle it.

It Was Yesterday

Giò, a 13-year-old girl living in the south of Italy, is the head of a boys' gang. She's secretly in love with young Paola, and she's ready to compete with male opponents to win her heart. In the last day of summer, innocence ends.

Two Drifters

After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.