Couples and Robbers

Couples and Robbers is a 1981 English language comedy/crime film written and directed by Clare Peploe, starring Frances Low, Rik Mayall and Peter Eyre. Two couples -- one with all the riches that dreams are made of, the other with only dreams and schemes -- are brought together by the plotting of the poorer couple. A pair of newlyweds wander through the city streets, bickering about their poverty, until they are distracted by the opulent home of a lawyer. Impulsively, the couple makes off with the lawyer's vehicle for one night of extravagant indulgence. The film was nominated for an Oscar for Best Live Action Short Film.

It's All True - A Visual Album

A visual album. A story of falling apart and putting yourself back together again as the world does the same. It is a story about personal death and rebirth, mental health, dealing with the tragedies of the world, queer love and finding community while featuring two of the most important places to the artist, MALINDA- Brooklyn and the west coast of Ireland.

Lingua Franca

Olivia, an undocumented Filipina immigrant paranoid about deportation, works as a caregiver to a Russian-Jewish grandmother in New York. When the man she’s secretly paying for a green card marriage backs out, she becomes involved with a slaughterhouse worker who is unaware that she’s a trans woman.

Unclenching the Fists

In a former mining town in North Ossetia, a young woman struggles to escape the stifling hold of the family she loves as much as she rejects.

Upa! An Argentinian Movie

Nina, Ailén and Fernando are an actress, a producer and a director who want to shoot and independent feature film in Argentina.

The Skeleton Twins

Estranged twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront the reasons their lives went so wrong. As the twins' reunion reinvigorates them, they realize the key to fixing their lives may just lie in repairing their relationship.

The Sleepwalker

A young couple, Kaia and Andrew, are renovating Kaia's secluded family estate. Their lives are violently disrupted upon the unexpected arrival of Kaia's sister, Christine, and her fiancé, Ira.

Song One

Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives.

Roman Dialogue

'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.

52 Tuesdays

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.

Summer Games

18 year old Éric, on vacation in the South with his parents, decides to escape the stifling situation especially with his 50 year old father, and join a group of fellow youth.

Creation of Adam

On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.

Saor

Good After Bad

Wes Thorne and Shelly Ackerman — two people living in opposite worlds. Shelly’s mother is off her medication so her home life is in shambles and she’s being bullied at school. Wes is an eccentric, wealthy man who has deep-seated issues with women and no close friends. When Wes offers to be Shelly’s legal guardian, both of their lives take a dramatic turn.

Dina and Django

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

Soft Plants

Naked, on the back of a sheep, soft office worker Willie rides trough the forest. His body is still in the office, but his mind wanders between dangerous flowers, li-los and an imaginary friendship for a soft sheep.