The Last Buffalo Hunt

For five years, Schmitt and Lynch followed the buffalo hunt in the American West. Their fascinating portrait of a disappearing world contrasts unspoiled landscapes with commercial influences on the American myth.

Open Your Eyes

Living under the Himalayan sun, their eyes have slowly gone milky white. Manisara and Durga have cataracts, and their mountain home in Nepal has become a warren of darkness. Shot over three days, Open Your Eyes follows their extraordinary journey down the mountain for a chance to see again.

This Is Gold

13th

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.

Caste criminelle

The Indians that the British failed to subdue were called "born criminals" and were parked in camps. Yolande Zauberman's film tells the story of a family. The grandparents, Hira Bai and Serjian, grew up in the jungle. This is where their tribes lived, which the British were unable to subdue.

Meet the Donors: Does Money Talk?

Alexandra Pelosi looks at money in politics and interviews wealthy donors to Republican and Democratic parties to ask them about their contributions and philosophies. Also: a look at efforts to enact campaign-finance reform.

Mona: tesoro del Caribe

Mona is a beautiful island, distant, mythical, mysterious, full of caves and legends. It is also unknown. This documentary reveals the history and the fauna of Mona Island, while also audiovisually preserving it.

There Is Land!

"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."

Crisis Hotline: Veterans Press 1

According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

Déjà vu

Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras ­ whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.

A Portrait of Ga

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

Heaven

This playful video from famed director and photographer Tracey Moffatt turns the tables on traditional representations of desire to examine the power of the female gaze in the objectification of men’s bodies. HEAVEN begins with surreptitiously taped documentary footage of brawny surfers changing in and out of bathing and wet-suits. While the soundtrack switches between the ocean surf and male chanting, Moffatt moves closer to alternately flirt with and tease her subjects, who respond with a combination of preening and macho reticence.

Tell Me Something About Yourself - Pavlína

Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.

Tell Me Something About Yourself - René

René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.

Tell Me Something About Yourself - Láda

Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.

Zurita, You Will See Not to See

An account of the experiences by poet and National Literature Award laureate Raúl Zurita, during his travels and his daily life, as he reflects on topics such as state terrorism and death