Récréation à la Martinière (1896)
Overview
Students in Lyon.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | fr |
| Popularity | 0.919 |
Directed By
Auguste Lumière
Louis Lumière
TOP CAST
Similar Movies
Cavedigger
Ra Paulette digs cathedral-like, 'eighth wonder of the world' art caves into the sandstone cliffs of Northern New Mexico. Each creation takes years to complete, and each is a masterwork. But patrons who have commissioned caves have cut off nearly all of his projects due to artistic differences. Fed up, Ra has chosen to forego all commissions to create his own Magnum Opus, a massive 10-year project.
The Lady in Number 6: Music Saved My Life
The story of Alice Herz-Sommer, a German-speaking Jewish pianist from Prague who was, at her death, the world's oldest Holocaust survivor. She discusses the importance of music, laughter, and how to have an optimistic outlook on life.
Daybreak Express
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Everyday Life
Dialogue-free short detailing the daily tasks of a man and his wife.
Working Women
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
The Long Shadow of Dirty Harry
An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.
The First Photo of Mine Ever Taken
A one-frame long experimental short film from Yugoslavia.
Yellow Fever
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
El mégano
Documentary that portrays the life of a coal-mining town south of Havana, around 1955, prior to the triumph of the revolution.
Buster Keaton: The Genius Destroyed by Hollywood
In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.
Love, Pascual
The hope of a young historian to corroborate the existence of Pascual Vázquez, a supposed general of the Mexican revolution, materializes in Ms. Hilda, Pascual's granddaughter, who offers to tell the stories of her grandfather.
Homo Paradoksum I
An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.
More Dangerous Than Dynamite
A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.
Men Boxing
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Group Portrait as a Still Life
Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.
Dickson Greeting
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
Sketch Film #1
Sketch Film #1 (Tomonari Nishikawa, 2005, 3 min., super 8, silent, 18/24fps, b&w, USA) As a painter carries a sketchbook and practices drawing, I carried a Super 8 camera and shot frame by frame, as an everyday exercise to make animations of lines and shapes found in the public space. The entire film was edited in camera and hand-processed afterwards.
Sketch Film #3
Sketch Film #3 (Tomonari Nishikawa, 2006, 3 min., super 8, silent, 18/24fps, b&w, USA/Japan) The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was caused by a diagonal camera movement. Later, it shows an experiment to produce an apparent depth by rotating an apparent shape. It was edited in camera and hand-processed afterwards.
No Crying at the Dinner Table
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
The Dream Machine
A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )