What Doesn't Float

An anthology of New Yorkers at their wit's end.

Putham Pudhu Kaalai

Putham Pudhu Kaalai brings together 5 of the most celebrated directors in Tamil cinema - Sudha Kongara, Gautham Menon, Suhasini Mani Ratman, Rajiv Menon, and Karthik Subbaraj to create Amazon Prime Video's first Indian anthology film.

Broken Blossoms

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

The Man Who Would Be King

A robust adventure about two British adventurers who take over primitive Kafiristan as "godlike" rulers, meeting a tragic end through their desire for a native girl. Based on a short story by Rudyard Kipling.

The Oval Portrait

An artist is so consumed with painting a portrait of the women he loves that he doesn't notice she is dying until it's too late. Shot as a silent film.

Vaadivaasal

A Face in the Window

A movie built up of three stories about life in a small Slovak town. The Prosecutor: the district attorney is a jazz orchestra soloist at the same time and that is much disliked by the local provincial society. The Defender: is about a young doctor's relation to his patient, who is open about his reactionary opinions. The Judge: it is only after long years that the old judge realizes that his own marriage is in jeopardy.

Brothers

A bricklayer, Jozef Haviar, decides to live with his family on the small farm of his father through the difficult years of the economic crisis. But on his return to his father's house he gets into a conflict with his brother. The life-and-death conflict between the two brothers documents the difficult situation of Slovak country life in the 1930s, the time of economic depression.

Sexual Tension: Violetas

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

The Sorrows of Gin

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.

Laughter and Grief by the White Sea

Laughter and Grief by the White Sea is a 1987 Soviet traditionally animated feature film directed by Leonid Nosyrev made at the Soyuzmultfilm studio. The film is a celebration of the culture of the Russian Pomors who live around the White Sea.

Rysavá jalovica

Rebel Without a Cause

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

Smrt na Cukrovém ostrově

To The Bright Side

A seven-part anthology film that probes the theme of childhood from various angles. Each part is directed by a different person, with techniques ranging from watercolor to cut-out.

The Victors

Intercutting dramatic vignettes with newsreel footage, the story follows the characters from an infantry squad as they make their way from Sicily to Germany during the end of World War II.