Soup and Ideology

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

Until the Stones Speak

There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.

Haewon

According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.

A Red Color Pencil

Wan-soon, a 9-year-old girl living on the island, managed to survive a massacre that took place 75 years ago. The lingering effects of this unresolved ordeal are emphasized, and the girl embarks on a journey to depict the vivid red fragments that remain in her memory, using a red colored pencil as her means of expression.

May•JEJU•Day

Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.

The Red Filter is Withdrawn.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

Jiseul

The populace of a South Korean island rebels against police brutality. The protesters are labeled as communists, and the army is dispatched.

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AC/DC: The Story of Back in Black

In this 23-minute documentary interview clips from the album's entire recording lineup — Brian Johnson, Angus Young, Malcolm Young, Cliff Williams and Phil Rudd — collectively recall the crossroads the band was at following the tragic death of Bon Scott in February of 1980. Brian Johnson was officially named the new singer of AC/DC on April 1, 1980 and the group quickly got to work with returning producer Mutt Lange, who was at the helm of the group's previous record, Highway to Hell. Ultimately, Back in Black was a tribute to AC/DC's late singer, with the black album cover serving as a memorial.

Ginette - Ma Vie

Interview without filters, Paul Arcand questions the 76-year-old performer on the sidelines of the release of her autobiography "Ginette" and her most recent album, "C'est tout moi".

Doolittle's Raiders: A Final Toast

A detailed look at the Doolittle Raid, and the final official public reunion of the surviving Raiders.

1968 Movement of Educated Youths Going to the Countryside and Mountains

Despite the increasing number of people entering the field of documentary filmmaking, historical subjects are less popular due to limited materials and the difficulty in handling them. Hu Jie has chosen to stay in this field and work hard. "I know that shooting these historical subjects is very dangerous, so how can you ask others to do it? It can only be their choice after they have seen your work." Since 2014, due to health reasons, Hu Jie has not been actively making documentaries. This year, in response to an invitation from the Lung Ying-tai Cultural Foundation, he still provided the film "A Sidelight of the 1968 Up to the Mountains and Down to the Countryside Movement." Over the past three years, he has primarily engaged in printmaking, producing about 70 to 80 pieces, in addition to many small print bookplates.

Michel Foucault: Knowledge and Power at SOAS and beyond

An insight into the life and works of Michel Foucault and how his work on Knowledge and Power still has an impact on daily life. This is applied practically to the real world of SOAS University and the online world of Social Media. Presented by Merle Tschirschnitz, Kiran Thomas and Adam Brocklesby

Madagascar, paradis des caméléons

Making Parasite

A short featurette on the making of Parasite.