Preethi Madu Thamashe Nodu

Ravi, a poor man, falls in love with a rich woman, Madhavi. In order to impress her, he poses as a rich man with the help of his friend, Sripathi

Geronimo

When Lewis's life is upended by his father's death, his mother, Julie, only seems to make matters worse. With no one else to rely on, Lewis embarks on a journey with his sidekick, Geronimo, to find his Uncle and set things right.

Revealed

Dika, who had left his hometown for seven years, had returned home to commemorate the fourty days of his father's death. But suddenly he is asked to be a lecturer and imam for Friday prayers as his father often did in the past by his father's acquaintance who is a member of the mosque's prosperity council. Dika, who had forgotten his father and felt unloved by him, tried to get his mother to leave his hometown and the house where his mother and father had lived. However, at the last moment, Dika can again remember the expression of love from his father.

Sundays

A 17-year-old idealist has to choose her course at university, and declares that she feels ever closer to God. Contemplating a membership within an enclosed religious order raises questions regarding the liberal principles of her father and her aunt, the latter who feels she should choose the life she wants but should experience life before doing so.

Olavu Geluvu

Olavu Geluvu is a 1977 Indian Kannada-language film, directed by H. R. Bhargava and produced by S. A. Srinivas. The film stars Rajkumar, Lakshmi, Balakrishna and Sampath. The film has musical score by G. K. Venkatesh.

Sampatthige Savaal

The movie is based on the play Saahukaara written by B. P. Dhuttharagi. The film was a musical blockbuster with all the tracks composed by G. K. Venkatesh considered evergreen hits. Rajkumar became popular as a playback singer with the track Yaare Koogadali from the film which became an instant hit among the audiences. He would then go on to sing regularly for his films. The film was remade in Telugu in 1975 as Thota Ramudu starring Chalam, in Tamil in 1975 as Pudhu Vellam starring Sivakumar and in Malayalam in 1976 as Themmadi Velappan starring Prem Nazir.

Ninety Sunsets

After an unforeseen tragedy leaves 10-year-old Gavin unable to speak, his mother is about to realize that everything happens for a reason after a fated mishap becomes a destined love nobody sees coming.

Awang-Awang (In Their Mind)

Dearest, Heart

Since the mother left, the relationship between Aksa and his father, Anton becomes tenuous. Anton still have deep worries over his wife's left and becomes apathetic to Aksa. Their cold and full of tension relationship makes Aksa can't communicate with Anton well.

Connection

The biggest boxing fight of 1960 takes an unexpected turn with the help of a powerful twin connection.

That Good Night

A moving and memorable family drama about a terminally ill writer who wants to be reconciled with his long-abandoned son.

Bangarada Panjara

Bangarada Panjara is a 1974 Indian Kannada-language comedy film directed by debutant V. Somashekhar and co-produced by actor Raja Shankar. It starred Dr. Rajkumar in the lead role along with Aarathi, K. S. Ashwath, Pandari Bai and Lokanath. The movie saw a theatrical run of 25 weeks

Raising the Bar: The Alma Richards Story

In 1908, eighth grader Alma Richards quits school to work as a ranch hand. A chance meeting with a professor motivates him to resume his education, leading him to compete in high jump at the Stockholm Olympics and win a gold medal.

Slasher

Julio inherits a mask like his father used to kill. A group of young people will arrive at his town and cross his path. Julio must decide whether to continue the family tradition or embrace the love he has just known.

Ramprasad Ki Tehrvi

Ramprasad's entire family gathers under one roof for 13 days after his death, to perform and observe the Hindu traditions and rituals called the tehrvi. During the course, the family’s dynamics, politics, and insecurities come out, and then they realise that the importance of people and things are only evident in retrospect.

Anantaram

A young man narrates two conflicting accounts of his life, changing the details and incidents in both, as he slowly approaches madness.