Whale Fishing (1909)
Overview
A whale is hunted in the southern hemisphere by the crew of a sailing ship: it is harpooned twice, using a cannon, and taken back to the shore. In the second part, the whale is butchered at a whaling station. A lady with a parasol looks on, while in the background are the sailing ships used to hunt whales. These are excerpts from a 1909 film called "La Pêche à Baleine dans les mers du Sud" made by Jean Nédelec and cut down in the 1920's for the Pathé Baby home movie projector.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 0.487 |
Directed By
Crew
TOP CAST
Similar Movies
Railway Station
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
The Celebration of Saint George
Early Balkan footage.
The Defilee of Army Orchestra, Carriages and Horsemen
Early Balkan footage.
Weaving Women
A group of Macedonian women are shown hard at work.
Lumiere's First Picture Shows
An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.
The Station
A day in the life of a train station.
Visions of Lourdes
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
The Arrival of a Train at La Ciotat
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Berlin: Symphony of a Great City
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Madulu, the Seaman
A youngster begins to understand the wisdom hidden within legendary whaler-man Tall 12's sea shanty songs in the whaling town of Barrouallie, St. Vincent, a place where men still wrestle with the creatures of the deep for survival. Against a backdrop of cruise-ship tourism and economic colonialism, this lyrical documentary discovers a surprising renewal of interest and hunger to preserve local traditions and cultural knowledge through new interpretations.
Nanook of the North
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Plant of Ford Motor Company - Antwerp
Short documentary on the Antwerp Ford Motor Company plant.
Chronos
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Roving Mars
Join the Mars rovers Spirit and Opportunity for an awe-inspiring journey to the surface of the mysterious red planet.
Roundhay Garden Scene
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Traffic Crossing Leeds Bridge
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Carmencita
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Blacksmithing Scene
Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.
New York Portrait, Chapter III
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
R. F. Outcault Making a Sketch of Buster and Tige
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.