Borderland

A powerful set of stories of “righteous persons” taking action along the U.S.-Mexico border, motivated by moral conviction and compassion. "Borderland" shows how courageous actions can lead to political mobilization and the defense of human rights in the face of hate and discrimination.

Mother Tongue

"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.

The Unbelievable Story of Carl Beech

The jaw-dropping story of Carl Beech, a former nurse from Gloucester who claimed he had been sexually abused by a group of prominent men in the 1970s and 80s.

Haiti: Where Did the Money Go

The Magnitsky Act. Behind the Scenes

What started as a drama about a Russian police plot to steal a billion dollars from a US financier and to murder his faithful tax lawyer Sergei Magnitsky, has become a real life investigation of contradicting versions of the crime.

The Blues: Another Story of France

This documentary charts 20 years of the French national soccer team, Les Bleus, whose ups and downs have mirrored those of French society.

Birth/Mother

Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, presents the bond of life through her own childbirth experience. "First, I was planning to film from the day I conceived a child and to the moment I gave birth. But I realized, while filming, that this is not the story of "one life." In the end, the film sublimed to a higher stage on which we can witness the knot tying one life with another."

Art As A Voice

Art As A Voice is a feature-length documentary examining how five female artists use their artwork to effect change. Exploring their history, challenges, art form, influences and experiences that led them to activism, the documentary will provide an understanding of the realities of life as a survivor of domestic abuse and sexual assault. Though the film will tell each story honestly, mixing visuals of the artist at work, voiceover interviews describing events and dramatic actor re-enactments, the overall message will highlight how each artist has turned something so ugly into something beautiful that inspires hope.

Pakistan zindabad: Longue vie au Pakistan

Celebrating the sixtieth anniversary of the creation of Pakistan, this video identifies the keys to understanding the country’s present through its political history. Ever since its creation in 1947, Pakistan seems to have been a prisoner of the conflicting geopolitical legacy which hampers its political and economic development. Political divide stems from multiple factors such as its antagonism with India, its relationship to neighbouring Afghanistan, and its strategy of changing alliance with world powers, in addition to the banner of Islam which, unable to unite ethnic groups, has at times exacerbated conflict between Muslims in this country of 150 million inhabitants that plays - and will continue to play for a long time to come - a central role in worldwide political and strategic affairs.

Roberto Benigni: Tuttobenigni

A young Roberto Benigni in one of his first public show in Florence at Parco delle Cascine.

The Kingdom of Dreams and Madness

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

I Am a Girl

Six girls coming of age, ready to become something extraordinary.

Sunset Story

The free-spirited denizens of Sunset Hall, a Los Angeles retirement home, haven't let advanced age stand in the way of their voicing their concerns about the social and political topics of the day. Documentary filmmaker Laura Gabbert focuses on two of the facility's more outspoken residents — irascible cynic Irja Lloyd and upbeat, wheelchair-bound Lucille Alpert — as they attend political rallies and discuss their often opposing viewpoints on hot-button issues.

The Mona Lisa Curse

The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.

The People of the Kattawapiskak River

Alanis Obomsawin’s documentary The People of the Kattawapiskak River exposes the housing crisis faced by 1,700 Cree in Northern Ontario, a situation that led Attawapiskat’s band chief, Theresa Spence, to ask the Canadian Red Cross for help. With the Idle No More movement making front page headlines, this film provides background and context for one aspect of the growing crisis.

Light Fly, Fly High

LIGHT FLY, FLY HIGH follows Thulasi, a young Indian girl born outside caste, and whose life is in many ways pre-determined. She is expected to marry and accept her place at the very bottom of the social ladder. But Thulasi dreams of a different life. She wants to be free, and enters the boxing ring to fight for independence. Through a sports program, young athletes in India can be recruited into government jobs. Thulasi has talent, but she is held back because of her background. She depends on the head of the boxing club to help her, but he expects things in return. Thulasi has no money and she refuses to be exploited.