Bois d'Enghien, engaged to a young girl from a good family, has to break up with Lucette Gautier, his mistress, a dilettante of salons. Not having been able to tell her of his break-up, he finds her at her fiancée's house, invited for the event. A Mexican general, jealous of his rivals, arrives and complicates the situation, as does a notary clerk, Bouzin, a singer in his spare time.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".
Fatty induces wife to let him take a day off to go to the celebration at San Diego. He has a wonderful time, flirting with the girls, breaking up a parade, fighting the police force and falling into the fountain with him, escapes, and with the crowd after him, leaps into the river. Here he rescues a little boy and becomes a hero. He goes home to wife in a bedraggled condition, tells of rescue and is set upon a pedestal. Wife, as a reward, takes him to the movies at night and sees husband flirting and fighting in the fountain, where some enterprising cameraman caught him. That explaining, as she thought, the bedraggled state in which he arrived home, she turns and beats him all the way home.
Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.
A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.
For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.
An usherette in a theatre, where a distinguished and popular actor performs, gets her big break when the leading actress has an accident. The director decides to take advantage of the heretofore unexploited talent of the girl and asks her to replace the leading actress. This unexpected opportunity transforms her from a humble usherette into a shining star. Later on, she wins the heart of the leading actor with whom she was secretly in love. However, her sudden rise to theatrical-musical stardom creates complications in their love affair, as her companion sinks into disappointment and drowns himself in drink, abandoning his career. Nevertheless, the usherette/leading actress doesn't give up; She looks for him, finds him and supports him, psychologically and morally, until he makes a comeback to the stage and their love nest.
Fary is back on stage to probe, uncompromisingly, the torments of couples and love. After two previous shows broadcast in over 190 countries, he returns with a new show: "Love me if you can". With this new performance, Fary demonstrates an extraordinary ability to reinvent himself while continuing to subtly address the themes that are dear to him.
Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.
Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.