Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | cs |
| Popularity | 1.225 |
Directed By
Václav Kašlík
Crew
Karel Sabina
Jarmila Čajová
Miloslav Dvořák
Eva Martincová
Charly Steinberger
Božena Ulrichová
Miloslav Hůrka
Miroslav Voštiar
Václav Kašlík
Vladimír Bor
Jan Sedláček
Štěpánka Stříbrná
Ivan Kašlík
Václav Kašlík
Karel Vacek
Ivana Frýdová Bissingerová
Elmar Kloss
Zdeněk Zahradník
Miloš Brož
Emil Hora
Jan Kadlec
Ludvík Široký
Jan Kropáček
Věnceslava Vrtišková
Gabriela Pitráková
Bedřich Smetana
Jiří Žůček
Daniela Svobodová
Jiří Budín
Milan Novák
Karel Smrž
Jiřina Bissingerová
Jiřina Lukešová
Jarmila Kovtanová
Antonín Navrátil
Luboš Ogoun
Viktor Schwarcz
Jaroslav Trousil
Jaroslav Krombholc
Jiřina Mlíkovská
Rudolf Wolf
Antonín Suchánek
Jiří Ulrich
TOP CAST
Vanda Švarcová
Mařenka Krušinová
Gabriela Beňačková
Mařenka Krušinová (singing voice)
Petr Skarke
Janík
Ivo Žídek
Jeník (singing voice)
Čestmír Řanda
Kecal
Karel Berman
Kecal (singing voice)
Václav Sloup
Vašek Mícha
Alfred Hampel
Vašek Mícha (singing voice)
Bedřich Prokoš
Krušina
Jindřich Jindrák
Krušina (singing voice)
Blažena Holišová
Krušinová
Libuše Márová
Krušinová (singing voice)
Jindřich Janda
Tobiáš Mícha
Dalibor Jedlička
Tobiáš Mícha (singing voice)
Slávka Procházková
Háta Míchová
Růžena Radová
Háta Míchová (voice)
Ladislav Pešek
Comedian Director
Milan Karpíšek
Comedian Direcor (singing voice)
Hana Packertová
Esmeralda
Jana Jonášová
Esmeralda (singing voice)
Josef Kemr
Indian
Karel Hanuš
Indian (singing voice)
Václav Břichnáč
Dancer
Vlastimil Carda
Dancer
Karel Červinka
Dancer
Zdeněk Derka
Dancer
Zdeňka Derková
Dancer
Jiří Drgáč
Dancer
Marie Gergiedowská
Dancer
František Hlaváček
Dancer
Jiří Hrabal
Dancer
D. Kašparovská
Dancer
O. Kašparovský
Dancer
Jiří Linhart
Dancer
Stanislava Linhartová
Dancer
Jiřina Machalická
Dancer
Karel Mašek
Dancer
Ivana Michková
Dancer
Bohumír Muchka
Dancer
Ivan Muchka
Dancer
Věra Muchková
Dancer
Ján Novenko
Dancer
Jitka Ogounová
Dancer
Zuzana Pomezná
Dancer
Marcela Stamidisová
Dancer
Marta Škodová
Dancer
Helena Šuranská
Dancer
Zdeňka Táborská
Dancer
Anselma Teisingerová
Dancer
Peter Tomašovič
Dancer
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Amours divins !
The most famous Scenes and Arias from French operas
I Put a Spell on You: The Sanderson Sisters Break the Internet
I Put a Spell on You was created by and stars Johnson. The annual show is a spoof of and tribute to the beloved cult classic movie Hocus Pocus. This year’s COVID-safe digital film is not your average stream: it’s complete with larger-than-life performances and choreography, over-the-top costumes and makeup, unmatched production value and a healthy dose of Broadway magic. This year, the beloved Hocus Pocus-inspired Sanderson Sisters break the internet and recruit some of pop culture’s most iconic villains (think Cruella de Vil, Gaston, The Joker, Maleficent and more) to fulfill their delightfully devious plot. Johnson returns as Winifred Sanderson with Allison Robinson and Amanda Williams Ware as sisters Sarah and Mary.
Dicks: The Musical
Two self-obsessed businessmen discover they're long-lost identical twins and come together to plot the reunion of their eccentric divorced parents.
Gianni Schicchi
Alessandro Corbelli takes the title role in Annabel Arden's whirlwind production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love.
The Metropolitan Opera: Die Walküre
Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of the 2010–11 and 2011–12 seasons, was the first new Met production of the complete cycle in more than 20 years. Combining state-of-the-art technology with traditional storytelling, it brings Wagner’s vision into the 21st century. With Die Walküre, the story of the Ring enters the world of human beings. Jonas Kaufmann and Eva-Maria Westbroek are Siegmund and Sieglinde, the twin children of Wotan, sung by Bryn Terfel. Deborah Voigt stars in the title role of the Valkyrie Brünnhilde, Wotan’s favorite daughter. James Levine conducts.
Bizet: The Pearl Fishers
Bizet’s rarely heard opera returned to the Met for the first time in a century on New Year’s Eve 2015, in Penny Woolcock’s acclaimed new production. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Matthew Polenzani and Mariusz Kwiecien are Nadir and Zurga, rivals for Leïla’s love who have sworn to renounce her to protect their friendship—and who get to sing one of opera’s most celebrated duets, “Au fond du temple saint.” Nicolas Testé is the high priest Nourabad and Gianandrea Noseda conducts Bizet’s supremely romantic score.
Paisiello Nina
The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.
Carmen
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
Dialogues des Carmélites
Performed at the Théâtre Graslin in Nantes in 2013. Francis Poulenc (1899-1963): Dialogues des Carmélites, opera in 3 acts and 12 scenes from a libretto by Emmet Lavery.
Giordano: Andrea Chernier
“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.
Andrea Chenier
France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.
Norma: Live from the Royal Opera House
The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion.
The Metropolitan Opera: Tristan und Isolde
Met audiences were fascinated by Mariusz Treliński’s gripping, visionary production of Wagner’s epic opera. In the daunting title roles of the doomed lovers, Nina Stemme and Stuart Skelton are passionate, overwhelming, and heartbreaking as they battle every obstacle that separates them from their true destiny. René Pape is King Marke, betrayed not only by Isolde but by Tristan, the man he most trusts and loves like a son. With Ekaterina Gubanova as Isolde’s confidante Brangäne and Evgeny Nikitin as Kurwenal, Tristan’s loyal lieutenant. Simon Rattle conducts a surging, shimmering account of Wagner’s monumental score.
Die Walküre
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
Dardanus
At the Grand Théâtre de Bordeaux, Raphaël Pichon conducts a new production of Rameau's opera Dardanus, with the ensemble Pygmalion, in a staging by Michel Fau and a choreography by Christopher Williams.
Rusalka
Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).
Romeo and Juliet
Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.
Verdi: Otello
Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.
Top Hat
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.