Paisiello Nina

The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.

Slovenská filharmónia v Dubaji

V hlavní roli trubka

Magic Moments of Music – Horowitz in Moscow

After more than 60 years, the uncrowned king of 20th century pianists returned to his freedom-torn homeland to perform his swan song in a piano recital. In the mid-1980s, a breathtaking concert took place in Moscow that many still recall with emotion. The great Ukrainian-American pianist Vladimir Horowitz performed there for the first time in more than half a century. At that time, the border between East and West was impassable. The Cold War was in full swing. The two superpowers, the US and the Soviet Union, considered each other enemies. The race to produce atomic weapons threatened everyone's lives. The legendary pianist Vladimir Horowitz, then eighty-two years old, began one evening discussing with his concert agent Peter Gelb what he dreamed and wished for. One of the things was to look back to Russia.

Rocío Dúrcal: I Like You So Much - All The Greatest Hits

A DVD that completes the anthology with its main video clips and performances on Spanish television.

W.A. Mozart – Koncert pre klavír a orchester č. 20 d mol

The Turn of the Screw

Louisa Muller makes her Garsington directing debut and we welcome back Richard Farnes (Falstaff, 2018) to conduct with Sophie Bevan (Don Giovanni, 2012) as the Governess and British tenor Ed Lyon making his Garsington debut as Quint. A young governess is sent to a remote country house to care for two children. She becomes increasingly disturbed by their behaviour but is under strict instruction never to bother their guardian in London. Are they innocent or wicked, possessed or just high-spirited?

Any Velásquez Orchestra - Cumbias To Enjoy

Cumbias Pa' Gozar: La Cortina, Mi Cucu, Capullo y Sorullo and much more... Difosatv presents LA ORQUESTA DE ANY VELASQUEZ in a live concert, performing cumbias that made the Sonora Dinamita famous.

La Sonora De May Velásquez: Cumbias To Enjoy 2

Difosatv presents in a live concert with LA SONORA DE MAY VELASQUEZ, performing the hits that made La Sonora Dinamita famous. A mix of pure Colombian Cumbia live! A Mover La Colita, Se Me Perdió La Cadenita, Mete y Saca, La Bamba...

House

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

Beethoven Missa Solemnis

With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.

Black Veil Brides: Alive and Burning

Alive and Burning drops a pin in the band's career as their first-ever recorded live performance. Filmed in their home town of Los Angeles during the successful Black Mass Tour in support of their self-titled fourth album at the world famous Wiltern Theatre. The sold out crowd witnessed a career-spanning set list featuring classics such as Knives and Pens and Fallen Angels as well as current favorite Faithless and the grand finale In The End!

Che Si Può Fare?

Explores the Opera music genre in the world of cinema.

Gounod Faust

Salzburg Festival’s first-ever performance of Charles Gounod´s most famous and most performed opera! Internationally-acclaimed tenor Piotr Beczala triumphs in the title role as soul-selling philosopher Faust: “Piotr Beczala is a world-Faust” (Kurier) and “The well-deserved crown goes to a perfectly-cast Piotr Beczala” (Abendzeitung). Ildar Abdrazakov was “celebrated” (Broadway World) for his signature role as seductive and demonic Méphistophélès. Maria Agresta as convincingly innocent Marguerite struggling to resist temptation and to gain salvation: “She is fabulous!” (Süddeutsche Zeitung). “Spectacular and photogenic” staging (Frankfurter Allgemeine Zeitung) by award winning stage director and designer Reinhard von der Thannen. The Philharmonia Chor Wien and the Wiener Philharmoniker are performing under the baton of young Argentinian conductor Alejo Pérez.

Lucia di Lammermoor

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Ludwig van Beethoven: Fidelio

Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.