Tsuchiya, who lives with his single mother in Osaka, does not get serious work once he graduates from high school, but rather devotes himself to mailing jokes to the “Ohgiri” variety show. Seeking to be recognized as a show “Legend,” he devotes his entire life to laughter, setting himself the task of submitting hundreds of entries per day. At loose ends, he encounters a drifter, Pink, who finds him work at his bar while Tsuchiya now devotes himself to becoming a “postcard craftsman” who submits material to a radio program. The entertainers on the program begin to use material from his postcards. A comedian Tsuchiya admires, one of a comic duo called “Bacon,” says on the air that he admires Tsuchiya’s material and that he wants “to do material together.” Dreaming of another chance, Tsuchiya heads for Tokyo.
Ana, a Portuguese actress, dives into Brazil's current atmosphere of identity and political crisis while trying to portray in a feature film the colourful life of famous singer and actress Carmen Miranda, who helped define Brazil's identity.
Santiago leaves a small town jail and, finding no job, gets involved in a robbery that goes wrong, ending up committing a crime. Desperate, runs away and hides in a big city using a random fake name, in search for a second chance. However, that name is the same of another man also hiding a dark secret. Completely made with still photos, The Name explores memory, individual responsibility and the chance to start over.
Hercules, a poor individual earns his living as a walking street ad, carrying a gigantic advertising sign on his shoulders. His biggest concern is his daughter Leonor, who helps at home by working as a seamstress. Afflicted by the economic situation, Hercules gets a job as a casino watchman. There he must face a trio of mobsters and a kleptomaniac baroness who tries to seduce him with her vampire airs and whom Hercules ends up falling in love with.
Makoto Toda was an earnest man who had lived an ordinary life, working as an ordinary company employee. He had built himself an average, but happy home along with his wife and his daughter. Things change however, when a new female recruit named Saya arrives at Makoto’s division. The young woman does everything she can think of to get herself closer to Makoto, and it isn’t long before the two become sexually involved. The affair first seemed as though it would end as a quiet secret only the two would ever know... However, the secret escalates slowly until it spins out of control, and Makoto’s home heads toward destruction...
Despite his lifelong efforts, Jean is one of those unfortunate men who can never understand women. This arty, metaphorical French film presents three examples of Jean's difficulties over the course of his long life. Each of the three episodes takes place beside the same river. He is first seen as a small boy playing on the river banks with the teenage girl he secretly loves. She mischievously promises to tell him her darkest secret if only he will perform a certain task for her. The story then takes a more surreal turn as a now-grown Jean, once again beside the river, toys with a beautiful woman at a picnic. She wants a commitment from him, but wily Jean is unwilling to satisfy her. In the final segment, Jean has become an old man and is once again deeply in love.
Saya had planned a scheme so that Sakiko, who works under Makoto, would witness her sexual affair with Makoto in the office. Makoto’s home is about to become a broken one when his wife Sachiko is told of her husband’s unfaithful doings. Saya, simmering with bottomless vengeance, exploits Hayakawa, Makoto’s daughter’s private tutor, to lure Sachiko into committing adultery... and in the end, nothing can hold down sexual desires!
When Joydeep sets out to invite his friends to his wedding with a girl his parents chose for him, he comes across his former love interest and develops feelings for her.
During the Japanese colonial rule of Korea, while people are in despair, Jae-ho tries to raise morale by winning cycle championship. Bok-dong, who started cycling with Jae-ho just to make a forture, becomes a symbol of hope for Koreans by defeating Japanese cyclists.
This early work of Hu Bo (director of An Elephant Sitting Still (2018)) was his graduation work at Beijing Film Academy. It features the self-redemption of a lumbago sufferer, which is a metaphor.