One Second in Montreal

A silent succession of black-and-white photographs of the city of Montreal.

Modern Life

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

The Rainhill Story: Stephenson's Rocket

First transmitted in 1979, this programme looks at the Rainhill Locomotive Trials in Rainhill, Lancashire (now Merseyside) in 1829, a competition to find the best passenger steam locomotive in Britain.On the 150th anniversary of the trials, replicas of its famous winner - Stephenson's 'Rocket' - and two of its competitors are rebuilt by modern day designers, and the trials are reconstructed in Hyde Park.

Hoopties

The 24 Hours of Le Mans is one of the premier automotive races of the year. Companies invest millions into cars and racers alike to take home the trophy and the glory of a Le Mans win. And then there is the 24 Hours of Lemons, a 24-hour endurance car race that travels year-round. The rules are simple: buy or build a race car for $500 or less—the most laps win. The teams? Three Pedal Mafia, Team Fafrumwinnin, and Great Globs of Oil will pit their wits, their technical acumen, and common sense against competitors and the laws of physics alike.

The Sixth

The Sixth is a visceral intersection of six extraordinary Americans whose lives will be forever changed by the attack on the United States Capitol on January 6, 2021.

Domy + Ailucha: Ket Stuff!

In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.

The Oil Symphony

The Oil Symphony is a film about the heroic efforts of Azerbaijani labourers drilling for oil.

Alain Vastine, les combats d'un père

The Tiger Leaps and Kills, But It Will Die... It Will Die...

An obituary for Victor Jara, the Chilean folksinger who was murdered in a football stadium by the military junta during the days of the September 1973 coup.

Florence

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)

My Home Is Burning

Impressions of a turbulent period in youth.

Did Britain Murder Hanratty?

A documentary covering the trials of James Hanratty, perceived to be wrongly accused at the time and one of the final eight people in the UK to be executed before capital punishment was effectively abolished.

Yellow Trails

An identity picture and the memory of Contla village through its Día de Muertos festivity. Celebration where the making of traditional bread, an offering colocation, and the embellishment of their family get mixed with mysticism and the yearning of the people community, preserving a tradition that interweaves for moments as a remembering in the México's heart.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Action on the Beach

Behind the scenes look at the D-Day special effects created in filming The Americanization of Emily (1964).