Lynch/Oz

Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.

Under the Rainbow

In World War II era Los Angeles, the manager of the Culver Hotel leaves his nephew in charge for a weekend. The nephew changes the name to the Hotel Rainbow and overbooks with royalty, assassins, secret agents, Japanese tourists, and munchkins. Secret Service agent Bruce Thorpe and casting director Annie Clark find romance amidst the intrigue and confusion.

The Art of Imagination: A Tribute to Oz

"The Art of Imagination: A Tribute to Oz" - a featurette narrated by Sydney Pollack.

Roman Candles

Shot on 8mm, and featuring the introduction of Divine, John Waters' sophomore film is a plotless collage of random incidents involving sex, drugs, religion and The Wizard of Oz, it was shown with an equally random soundtrack mixing “obnoxious radio advertisements, rock 'n' roll and press conferences with Lee Harvey Oswald's mother”. It was shown three times publicly, but never released commercially.

The Wonderful Wizard of Oz

Based on the story by L. Frank Baum Set to music from "The Planets" by Gustav Holst

Wicked

Elphaba, an ostracized but defiant girl born with green skin, and Glinda, a privileged aristocrat born popular, become extremely unlikely friends in the magical Land of Oz. As the two girls struggle with their opposing personalities, their friendship is tested as both begin to fulfill their destinies as Glinda the Good and The Wicked Witch of the West.

Jack vs. Lanterns

Genbetter has been growing gourds and the massive orange veggies are on the attack. Jack and his friends have to stop an invasion of pumpkin headed monsters.

Pretham 2

Five strangers who met online decide to shoot a short film in an old mansion but instead experience paranormal activity during their activities.

Hirn

A man runs amok.

An Inside Job

A man in a dentist chair finds himself helpless in the clutches of a schizophrenic kleptomaniac.

The Audition

Florence Walker is an aspiring actress who's barely getting any auditions. After finding a sketchy casting call for a horror movie, she takes the opportunity in her desperation, but nothing is how it seems. On top of that, she experiences the horrors of anxiety and mental illness in this situation of complete presssure.

Baron Olavo, The Horrible

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

Murder University

A series of brutal, cult-like murders are taking place at a New England college. Josh Greene, a shy freshman, is the lone survivor of a series of murders that are reminiscent of a similar string of killings some twenty years prior. As he seeks to uncover the secret behind the attacks, he is joined by Detective Forrester, who was instrumental in halting the bloodshed before, and his daughter Meg, who had barely escaped being a victim previously.

Tetesan Darah Perawan

The Portrait

A man is increasingly unnerved by a mysterious portrait. Based on a story by Nikolai Gogol, the film is thought to have run about 45 minutes long, but only an 8 minute fragment is known to have survived.