Forman vs. Forman

A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.

Confusion

Showing his own original footage of Prague Spring, director Evald Schorm describes the atmosphere these days in 1968.

My Unknown Soldier

How does it feel like to become an occupier without your own intentions? With known but also never published archival materials from the whole Europe and Russia we tell a family story of the director Anna Kryvenko about how the big politics is destroying the lives of ordinary people. Just couple of years ago the director found a family secret of her grand-uncle who came to occupy Czechoslovakia in 1968 as a Soviet soldier. When searching for grand-uncle's story the author touches themes like fragmentation of personal and national memory, inherited guilt, interpretation of history, media manipulation, relationship towards nowadays Russia, but also relationship of Czechs and Slovaks towards foreigners - themes very actual in our times.

Prague Spring 1968 - Summer in Sofia

A film about the contrasts between Czechoslovakia and Bulgaria in 1968. A film that reveals the mechanisms of censorship and propaganda during communism. A film about how information about events in Czechoslovakia was distorted in Bulgaria.

Reconstruction of Occupation

Documentary filmmaker Jan Sikl came across several hours of footage showing the Warsaw Pact invasion of Czechoslovakia in private film archives. 53 years later, historical memory awakens from a long slumber with this reconstruction of the occupation, a cinematic adventure of a truly archeological nature.

Na tý louce zelený

Ohnivé jaro

Gli angeli del potere

Invasion

Docu-drama surrounding the events leading to the Soviet Union's invasion of Czechoslovakia in 1968.

Beloved

From Paris in the 1960s to London in the first decade of the third millennium, Madeleine and her daughter Véra flit from one amorous adventure to the next, living for the moment and taking all the opportunities that life offers. But not every love affair is without its consequences, its upsets and its disappointments. As time goes by and gnaws away at one’s deepest feelings, love becomes a harder game to play.

Za volantem nepřítel

1974 Czechoslovak drama film directed by Karel Steklý.

Waves

At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.

That Trip We Took with Dad

Romania, 1968. Two very different brothers. Mihai is a secret police informant, Emil is a dedicated dissident. When they have the opportunity to have their ailing father’s eyes operated on in East Germany, the three set out on a moving odyssey.

The Man Who Stood In the Way

A drama that tells the story of the physician and politician MUDr. František Kriegel, the hero of the Prague Spring of 1968, who was arrested and kidnapped to Moscow on the night of August 21st together with five leaders of the party and the state (Dubček, Černík, Smrkovský, Špaček and Šimon). He was the only Czechoslovak politician who managed to stand up to Brezhnev in Moscow captivity, even under the threat of liquidation, and not to sign the Moscow Protovol which meant agreeing to the occupation of Czechoslovakia in 1968.

Deckname Holec

Young director Honza David films the Russian invasion in in Prague in August 1968. With Eva the love of his life he tries to get out of the country. He wants to bring the explosive material to Vienna, to the director of the Austrian Television Helmut Zilk. He knows Eva very well but the Czech Secret Service even better ...

This Kind of Spring Has Never Been Yet

This personal essay relates the perception of space to the mental universe of screenwriter and director Pavel Juráček who found his “truly ideal place” in the town of Příbram. The sensitive combination of journal entries, intimate notes, and film fragments tries to break down conventional storytelling techniques to build an original world of timeless thinking.