Strangers

In Late Night Work Club's 2nd project, animators from around the world come together to create an anthology of animated shorts centered around the theme 'Strangers'. Released on Vimeo.com.

Three from Pankivka

The animation tells the story about three dull, but funny brothers from the Pankivka village. They make a mess of all things. If there’s nothing to do, they can easily come up with something that will make them look stupid. They will cut a cock’s feathers instead of brother’s hair, and will make a fish broth in the lake, will choose the longest way of two paths, and will “help” their neighbors with all their hearts.

Three from Pankivka at the Fair

Continuation of the adventures of strange heroes.

Three from Pankivka Keeps the House

Continuation of the comic adventures with the heroes of the previous issues of the series of cartoons about three strange friends from Pankivka.

This Quite Not About This

This film is about the cow living in an polluted enviroment.

Ostatnia szansa

Documentary about the Szymon Wiesenthal Center and the obstacles, often set by governments not interested in providing any help for the Center's project, it encounters.

Oberammergau

A B'nai B'rith delegation visits the town of Oberammergau to meet with its mayor and the monk who is responsible for the passion play which is presented every ten years. The group discusses their efforts to eliminate the antisemitic tone of the play.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Narciarze

Man from the Moon

Triumph and collapse of hope - the whole life of the Russian scientist Nikolai Miklouho-Maclay passes in an instant, at the last moment of earthly existence... Two worlds: the world of civilization and the world of nature exist simultaneously, next to one planet, but it seems that the distance between them is like from Earth to the moon. The film uses drawings and diaries of Nikolai Miklouho-Maclay, whom the Papuans called the "Man from the Moon" and revered as a deity.

Bill Reid

Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.

Oasis

A boy is afraid to leave his oasis because of the spirit waiting for him outside.

Dog and Cat

A dog wants to buy a new hat from his local tailor (who is a cat). A story about why cats and dogs dosen't like each other.

The Elephant and Moska the Dog

Hitler's 9/11

Adolf Hitler's Nazi megalomania knew no limits. The most daring of his plans World War II involved German fighter planes crashing into Manhattan's skyscrapers as living bombs, like the Japanese kamikazes. Hitler understood the huge symbolic power of Manhattan's skyscrapers. He believed suicide bombing would have a devastating psychological impact on the American people and the U.S. war effort.