A Young Girl in Her Nineties

In the geriatric care section of the Charles Foix d’Ivry hospital, Thierry Thieû Niang, a famous choreographer, is running a dance workshop for Alzheimer’s patients. Through dance, lives are told, memories recounted: regrets, bitterness, moments of joy and solitude. Blanche Moreau is 92 years old. During the filming, she has fallen in love with the choreographer Thierry. The simple fact of falling in love being crazy enough as it is, there’s no longer anything else mad or delirious about Blanche: her illness has simply become lovesickness.

The Cats of Mirikitani

Documentary about red-bereted Jimmy Mirikitani, a feisty painter working and living on the street, near the World Trade Center, when 9/11 devastates the neighborhood. A nearby film editor, Linda Hattendorf, persuades elderly Jimmy to move in with her, while seeking a permanent home for him. The young woman delves into the California-born, Japan-raised artist's unique life which developed his resilient personality, and fuel his 2 main subjects, cats and internment camps. The editor films Jimmy's remarkable journey.

Calling Mr. Smith

Calling Mr Smith: a 10-minute anti-war film denouncing the destruction of Polish national culture under the Nazis.

A Job in a Million

A Cockney lad trains to be a messenger boy.

How We Played the Revolution

It was the year 1984 when a group of architects decided to organize a one night music band as a New Year's party joke in Kaunas, Lithuania. The joke proved to be so good that rumors about the new exciting rock band spread from lips to lips and soon their intellectual circus grew into the Rock Marches - massive events involving thousands of people - that transformed into the big meetings for Lithuanian Independence later named the Singing Revolution. This is the story about the people who raised their independence with the smiles and songs regardless of the danger of the situation.

Midsummer Night's Tango

Finns have a quirky sense of humour - and are a bit shy. But: Tango is THE folk music of the Finns. The documentary discovers the Finnish tango from the viewpoint of the singer Chino Laborde, the guitarist Diego "DIPI" Kvitko and the bandoneonist Pablo Greco. The three Argentine musicians travel to Finland to find out whether Aki Kaurismäki is telling the truth when he asserts that tango music was invented in Finland.

Brasslands

Half a million people descend upon a tiny Serbian village for the 50th anniversary of the world's largest trumpet festival. Brasslands chronicles the cultural and musical collisions through the personal journeys of 3 musicians - American, Serbian, Roma - whose lives are bound to Balkan brass for very different reasons.

The Last Song Before the War

The story of the most remote music festival in the world, Festival Au Desert, and the battle to make it happen.

Microcosmos

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Early Directors on Directing

There were more women directors before 1920 than at any other time in history. The first director to put a narrative story on celluloid was, Alice Guy Blaché in 1896. Few people know that Lillian Gish became a director in her own right in 1920. Ida Lupino directed over a hundred episodes of "Have Gun, Will Travel," "Thriller," "Gunsmoke," and many independent features.

Julia

Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.

Framing Lesbian Fashion

Framing Lesbian Fashion looks at the evolution of lesbian attire and identity – butch/femme, flannel, androgyny, cross-dressing and drag, queer fluorescent, S/M and leather, lipstick and more.

Es geht um Alles

What the #$*! Do We (K)now!?

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

Memory Books

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

The Mona Lisa Curse

The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.