Only You

In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.

The Ballad of Sexual Dependency

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

Arto Lindsay, Forgive the Beauty: The Love Factory

In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.

How to Fly

With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize and explain data, and that television’s hundreds of simultaneous, fragmented narratives – news, fiction, commercials, sports, etc. – had prepared audiences for this new type of structure. — Charles Ruas

The Trap Door

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.

Vincent Gallo as Flying Christ

Ecstatic Stigmatic

No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.

The Right Side of My Brain

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

Put More Blood Into the Music

PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.

Visiting Desire

Complete strangers meet in a room to act out their sexual desires.

Pesceador

A young artist is followed by his friend in New York. A Tribute to Jean-Michel Basquiat

Cervejas no Escuro

Born Again Virgin Christmas Special

Robot Chicken takes down Christmas once again! Our writers reveal the origins of the Heat Miser and Cold Miser. Witness Ebenezer Scrooge learn the true TRUE meaning of Christmas. Learn the perils of getting a job at the North Pole. Discover how Santa Claus ruined World War One's greatest day!

Povídky Svatopluka Čecha

Robot Chicken's Christmas Special

The special Christmas episode featured the second season short "A Very Dragon Ball Z Christmas", along with the first season shorts "Unsolved Case Files: Claus & Effect" and "Kill Bunny".

The Lost King

An amateur historian defies the academic establishment in her efforts to find King Richard III's remains, which were lost for over 500 years.